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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:235780678:3192
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:235780678:3192?format=raw

LEADER: 03192mam a2200433 a 4500
001 1684476
005 20220608212123.0
008 940919t19951995maua b s001 0 eng
010 $a 94037565
020 $a0870239600 (alk. paper)
035 $a(OCoLC)ocm31289178
035 $9AKV3516CU
035 $a1684476
040 $aDLC$cDLC$dOrLoB
043 $ae-uk-en$ae-uk---
050 00 $aPR5892.A34$bF39 1995
082 00 $a821/.7$220
100 1 $aFay, Elizabeth A.,$d1957-$0http://id.loc.gov/authorities/names/n92093942
245 10 $aBecoming Wordsworthian :$ba performative aesthetics /$cElizabeth A. Fay.
260 $aAmherst :$bUniversity of Massachusetts Press,$c[1995], ©1995.
300 $aviii, 279 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 265-273) and index.
505 00 $gCh. 1.$tThe Wordsworthian Performative --$gCh. 2.$tThe Charted Valley --$gCh. 3.$tAuthoring Selves, Traversing Ground --$gCh. 4.$tMountains and Abysses --$gCh. 5.$tThe Poetics of Negotiating Charts.
520 $aThis innovative book explores the hypothesis that "Wordsworth the Poet" is an imaginative projection in which both William Wordsworth and his sister Dorothy collaborated, developing a persona that the siblings strove to inhabit. Because William was its principal enactor, both publicly and privately, poetically and experientially, his tendency was to sublimate Dorothy into an audible but invisible muse, located just behind him.
520 8 $aDorothy, however, always imagined herself in a collaborative or twinned relation to William, even when he was absent. She experienced the Wordsworthian role as increasingly alienating, more an aesthetic performance to be enacted at will, whereas William found the role ever more natural and inseparable from himself.
520 8 $a. This book explores the ways in which the Wordsworths were particularly suited to develop their collaborative persona, the literary fictions they drew on, and the value they derived from such a concerted and utopian effort. The author bases her work on well-known Wordsworthian texts, as well as little-read lyrics and essays of William and the comparatively unknown oeuvre of Dorothy.
600 10 $aWordsworth, William,$d1770-1850$xAesthetics.
650 0 $aBrothers and sisters$zEngland$xHistory$y19th century.
650 0 $aPoets, English$y19th century$xFamily relationships.$0http://id.loc.gov/authorities/subjects/sh2010106660
650 0 $aAuthorship$xCollaboration$xHistory$y19th century.$0http://id.loc.gov/authorities/subjects/sh2009114783
600 10 $aWordsworth, Dorothy,$d1771-1855$xAesthetics.
650 0 $aPoetry$xAuthorship$xHistory$y19th century.
650 0 $aMasculinity in literature.$0http://id.loc.gov/authorities/subjects/sh94006169
650 0 $aAesthetics, British$y19th century.$0http://id.loc.gov/authorities/subjects/sh85001449
650 0 $aAuthorship$xSex differences.$0http://id.loc.gov/authorities/subjects/sh2008117583
650 0 $aSelf in literature.$0http://id.loc.gov/authorities/subjects/sh94009300
852 00 $bglx$hPR5892.A34$iF39 1995