| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:271016032:1773 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:271016032:1773?format=raw |
LEADER: 01773mam a2200325 a 4500
001 1708425
005 20220608215145.0
008 951025s1995 nyua 000 0 eng d
020 $a0810946866
035 $a(OCoLC)33361490
035 $a(OCoLC)ocm33361490
035 $9ALB0889CU
035 $a(NNC)1708425
035 $a1708425
040 $aILU$cILU$dOrLoB
041 1 $aspa$heng
100 1 $aDe Chirico, Giorgio,$d1888-1978.$0http://id.loc.gov/authorities/names/n79069950
245 10 $aDe Chirico /$cgeneral editor, José Maria Faerna ; translated from the Spanish by Diane Cobos.
260 $aNew York :$bH.N. Abrams,$c1995.
300 $a64 pages :$billustrations (some color) ;$c32 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aGreat modern masters
500 $a"Cameo/Abrams."
520 $aGiorgio de Chirico (1888-1978), the greatest Italian painter of our time, is also one of the most elusive figures of modern art. Recognized as a forerunner of several important twentieth-century movements - most notably Surrealism - he suddenly, not halfway through his long career, turned his back on his years of modernist experimentation and returned to classicism.
520 8 $aBut in 1920, after years of experimentation, de Chirico abandoned his metaphysical work and returned to a conservative, academic style. This illustrated survey, with more than sixty full color reproductions of his most important paintings, re-examines the work of this visionary artist.
600 10 $aDe Chirico, Giorgio,$d1888-1978.$0http://id.loc.gov/authorities/names/n79069950
700 1 $aFaerna, José María.$0http://id.loc.gov/authorities/names/n94084444
830 0 $aGreat modern masters.
852 80 $bfax$hND623 C45$iD3434