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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:272789240:3335
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:272789240:3335?format=raw

LEADER: 03335mam a2200373 a 4500
001 1709613
005 20220608215330.0
008 950127s1995 enka b 001 0 eng
010 $a 95003571
020 $a0198203187 :$c£35
035 $a(OCoLC)ocm32015620
035 $9ALB2461CU
035 $a1709613
040 $aDLC$cDLC$dIAY$dOrLoB
043 $ae-it---
050 00 $aDG533$b.L27 1995
082 00 $a945/.05$220
245 00 $aLanguage and images of Renaissance Italy /$cedited by Alison Brown.
260 $aOxford :$bClarendon Press ;$aNew York :$bOxford University Press,$c1995.
263 $a9506
300 $axv, 338 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tProlusion /$rE. H. Gombrich --$tIntroduction /$rAlison Brown --$g1.$tDid the Ancients have an Antiquity? The Idea of Renaissance in the History of Classical Art /$rSalvatore Settis --$g2.$tThe Donation of Constantine: A New Source for the Concept of the Renaissance /$rRobert Black --$g3.$tThe Vocabulary of Renaissance Republicanism: A Cultural longue-duree /$rQuentin Skinner --$g4.$tWas there a Renaissance in Music? /$rJessie Ann Owens --$g5.$tRenovatio or Conciliatio? How Renaissances Happened in Venice /$rPatricia Fortini Brown --$g6.$tCreating Memory: Monumental Painting and Cultural Definition /$rWilliam Hood --$g7.$tIndividuals and Families as Patrons of Culture in Quattrocento Florence /$rF. W. Kent --$g8.$tThe Humanist Villa Revisited /$rAmanda Lillie --$g9.$tBurckhardt Revisited from Social History /$rSamuel K. Cohn --$g10.$tThe Republic's Two Bodies: Body Metaphors in Italian Renaissance Political Thought /$rJohn M. Najemy --
505 80 $g11.$tPortraiture, Portrayal, and Idealization: Ambiguous Individualism in Representations of Renaissance Women /$rPatricia Simons --$g12.$tThe Italian Renaissance Tale as History /$rLauro Martines.
520 $aThe Italian Renaissance has traditionally been regarded as a critical turning point in the history of Europe, the vital stepping stone between the Age of Faith and the Age of Reason. This classical view of the Renaissance as the birth of individualism and modernity, as formulated by the famous Swiss historian Jacob Burckhardt, is challenged and reassessed in this intriguing and diverse group of essays.
520 8 $aLeading scholars from different disciplines use a variety of approaches - textual and literary criticism, social anthropology, and gender studies - to re-evaluate the period as a whole. The book is divided into three sections, which discuss the model of death and rebirth and its political function; the social context of revival in terms of corporate and individual patronage; and the renaissance body as a political metaphor and social gesture.
520 8 $aWhat emerges is an account of a mixed and lively culture which avoids the old generalizations and gives a fresh view of this most creative and fascinating period of European history.
650 0 $aRenaissance$zItaly.$0http://id.loc.gov/authorities/subjects/sh2010110367
700 1 $aBrown, Alison,$d1934-$0http://id.loc.gov/authorities/names/n78067448
852 00 $bglx$hDG533$i.L27 1995
852 80 $bfax$hN6915$iL27
852 00 $bglx$hDG533$i.L27 1995