| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:290978566:2590 |
| Source | marc_columbia |
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LEADER: 02590fam a2200385 a 4500
001 1723333
005 20220608221309.0
008 950511t19951995miua b s001 0 eng
010 $a 95020032
020 $a0814325602 (pbk. : alk. paper)
035 $a(OCoLC)32590494
035 $a(OCoLC)ocm32590494
035 $9ALC8367CU
035 $a(NNC)1723333
035 $a1723333
040 $aDLC$cDLC$dNNC$dOrLoB
043 $ae-gx---
050 00 $aPN1993.5.G3$bS54 1995
082 00 $a791.43/0943$220
100 1 $aSilberman, Marc,$d1948-$0http://id.loc.gov/authorities/names/n80087338
245 10 $aGerman cinema :$btexts in context /$cMarc Silberman.
260 $aDetroit :$bWayne State University Press,$c[1995], ©1995.
263 $a9511
300 $axvii, 322 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aContemporary film and television series
504 $aIncludes bibliographical references (p. 299-311) and index.
505 00 $gPt. 1.$tThe Weimar Cinema.$g1.$tSpecular Presence and Historical Revolution: Ernst Lubitsch's Passion.$g2.$tThe Modernist Camera and Cinema Illusion: Friedrich Wilhelm Murnau's The Last Laugh.$g3.$tThe Rhetoric of the Image: Slatan Dudov and Bertolt Brecht's Kuhle Wampe or Who Owns the World? --$gPt. 2.$tThe Cinema of the Third Reich.$g4.$tProbing the Limits: Detlef Sierck's To New Shores.$g5.$tThe Fascist Discourse: Eduard von Borsody's Request Concert.$g6.$tThe Illusion of Escapism: Helmut Kautner's Romance in a Minor Key --$gPt. 3.$tThe Early Postwar Cinema.$g7.$tThe Discourse of Powerlessness: Wolfgang Staudte's Rotation.$g8.$tThe Return of the Familiar: Hans Deppe's Black Forest Girl.$g9.$tPrivatizing the Past: Georg Wilhelm Pabst's The Last Ten Days --$gPt. 4.$tThe East German Cinema.$g10.$tThe Authenticity of Autobiography: Konrad Wolf's I Was Nineteen.$g11.$tDiscipline and Gender: Hermann Zschoche's On Probation --$gPt. 5.$tThe New German Cinema.
505 80 $g12.$tBeyond Spectacle: Alexander Kluge's Artists under the Big Top: Perplexed.$g13.$tThe Subject of Identity: Margarethe von Trotta's Marianne and Juliane.$g14.$tThe Archaeology of the Present: Wim Wenders's Paris, Texas.$tAppendix: Film Credits.
650 0 $aMotion pictures$zGermany$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008108009
830 0 $aContemporary film and television series.$0http://id.loc.gov/authorities/names/n90694414
852 00 $bglx$hPN1993.5.G3$iS54 1995
852 00 $boff,glx$hPN1993.5.G3$iS54 1995
852 00 $bmil$hPN1993.5.G3$iS54 1995