| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:295378305:3728 |
| Source | marc_columbia |
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LEADER: 03728pam a2200373 a 4500
001 1726120
005 20220608221714.0
008 941223t19951995inu b 001 0 eng
010 $a 94048674
020 $a0253329027 (alk. paper)
020 $a0253209773 (pbk. : alk. paper)
035 $a(OCoLC)31938568
035 $a(OCoLC)ocm31938568
035 $9ALD1941CU
035 $a(NNC)1726120
035 $a1726120
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPN1995$b.B86 1995
082 00 $a791.43$220
100 1 $aBurnett, Ron,$d1947-$0http://id.loc.gov/authorities/names/n90609687
245 10 $aCultures of vision :$bimages, media, and the imaginary /$cRon Burnett.
260 $aBloomington :$bIndiana University Press,$c[1995], ©1995.
300 $axii, 355 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 337-348) and index.
505 00 $g1.$tImages and Vision.$t2-A Video Diary.$tBoundaries of Seeing and Feeling.$tThe Power to See.$tThe Eye in the Photograph.$tDeath in Bosnia.$tOut of Focus: David Koresh.$tRodney King: Community and Communication.$tThe Eye and the Ear: In Time.$tThe Mirror Can See Forever --$g2.$tCamera Lucida: Barthes and Photography.$tPhotographs and Images: The Polaroid.$tBenjamin/Barthes/Berger.$tAvedon's Slave.$tPhotographic Images and the Public Sphere.$tPerforming the Visual.$tThe Photographic Other.$tClint Eastwood's Magnum.$tLumiere and Melies.$tDeath of a Cameraman.$tSartre's Memory.$tToward Projection --$g3.$tFrom Photograph to Film: Textual Analysis.$tThe Disappearance of the Image: Wavelength.$tIs There a Medium for the Message? From Photography to Film.$tLetter to Jane (Fonda).$tCelluoid-Time/Performance-Time.$tCamera/Text/Frame.$tWim Wenders and Ozu.$tThe Classical Cinema as Paradigm.$tThe Classical Disguise.$tThe Naturalization of Artifice.$tWhy Science? Why Text?
505 80 $tThe Communication of Meaning through Images.$tTangled Knots of Yarn.$tThrough the Lens of Montage --$g4.$tProjection.$tA Coup in Thailand.$tReading a Wave.$tFact Is Always Fiction.$tDocumentary Simulations.$tProjection.$tDreaming the Cinema.$tThe Act of Seeing with One's Own Eyes.$tThe Purple Rose of Cairo.$tGermany, Pale Mother.$tNarrative - Projection.$tThe Topography of Projection.$tThe Documentary as Projection: Shoah, Schindler's List.$tListening to Projections.$tListening to Hiroshima.$tInsignificance.$tPerformance, Projection, and Intention.$tMemories of Identification: Scream from Silence.$tPlay-Acting.$tThe Body of Projection.$tInside the Dome of Images.$tNirvana: The Death of Kurt Cobain --$g5.$tReinventing the Electronic Image.$tPrologue: To Be or Not to Be - Virtual.$tVideo Activism.$tA Resistance to Theory.$tVideo and the Public Sphere.$tMedia Theory and the Electronic Image.$tLearning from Video Images.$tVideo Politics and Communication.$tDialogues in Image Form.$tVideo Bodies/Video Minds.
505 80 $tScreens of Subjectivity.$tChallenging Change.$tCommunity and Communication --$g6.$tPostmodern Media Communities.$tA Community of Identities.$tLocal Travels.$tVisual Media, Ethnography, and Indigenous Cultures.$tImages of a Strike.$tThe Marshall Islands.$tThe Ceremony.$tMichael Jackson, "Seinfeld," and The Super Bowl.$tThe Reflecting Pool.$tWaiting for Baudrillard in Sadie Benning's Living Room.$tThe Virtual Printing Press.
650 0 $aMotion pictures.$0http://id.loc.gov/authorities/subjects/sh85088084
650 0 $aPhotography.$0http://id.loc.gov/authorities/subjects/sh85101206
650 0 $aVisual perception.$0http://id.loc.gov/authorities/subjects/sh85143926
852 00 $bglx$hPN1995$i.B86 1995
852 00 $bglx$hPN1995$i.B86 1995