MARC Record from marc_columbia

LEADER: 03916fam a2200397 a 4500
001 1726154
005 20220608221718.0
008 950421s1996 maua b 001 0 eng
010 $a 95017460
020 $a155553239X (cloth : alk. paper)
020 $a1555532403 (pbk. : alk. paper)
035 $a(OCoLC)32469377
035 $a(OCoLC)ocm32469377
035 $9ALD1977CU
035 $a(NNC)1726154
035 $a1726154
040 $aDLC$cDLC$dDLC$cNNC$dOrLoB-B
050 00 $aML82$b.W65 1996
082 00 $a780/.82$220
245 00 $aWomen in music :$ban anthology of source readings from the Middle Ages to the present /$cedited by Carol Neuls-Bates.
250 $aRev. ed.
260 $aBoston :$bNortheastern University Press,$c1996.
263 $a9512
300 $axviii, 400 pages :$billustrations ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [373]-385) and index.
505 00 $g1.$tWomen as Singers in Christian Antiquity --$g2.$tMusic in an Early Community of Women --$g3.$tLife at a Twelfth-Century Benedictine Convent --$g4.$tHildegard of Bingen: Abbess and Composer --$g5.$tThree Women Troubadours --$g6.$tWomen Among the Minstrels and as Amateur Musicians --$g7.$tThe Renaissance Lady --$g8.$tVocal and Instrumental Music Performance at an Italian Convent --$g9.$tThe Rise of Women as Virtuoso Singers --$g10.$tFrancesca Caccini: Singer-Composer --$g11.$tElisabeth-Claude Jacquet de la Guerre: Composer and Harpsichordist --$g12.$tThe Venetian Conservatories --$g13.$tMusic as an Accomplishment --$g14.$tMarianne von Martinez: Composer and Singer --$g15.$tMaria Theresia von Paradis: Pianist on Tour --$g16.$tCorona Schroter and Julie Candeille: Two Composers Speak Out --$g17.$tClara Schumann: Pianist --$g18.$tAmy Fay: Pianist --$g19.$tLillian Nordica: Operatic Soprano --$g20.$tMargaret Blake-Alverson: Contralto --$g21.$tSissieretta Jones: Soprano --$g22.$tFanny Mendelssohn Hensel --
505 80 $g23.$tClara Schumann --$g24.$tEthel Smyth --$g25.$tLuise Adolpha Le Beau --$g26.$tCosima Wagner --$g27.$tThe Female Amateur: From Accomplishment to Achievement --$g28.$tWomen as Teachers --$g29.$tWomen as Patrons in the Club Movement --$g30.$tThe Vienna Damen Orchester in New York, 1871 --$g31.$tCaroline B. Nichols and the Boston Fadette Lady Orchestra --$g32.$tCamilia Urso on Professional Equity for Women Violinists, 1893 --$g33.$tShould Women Perform in the Same Orchestra with Men? --$g34.$tGeorge Upton: A Classic Formulation of Women's Inferiority --$g35.$tHelen J. Clarke: Regarding Unequal Education in the Past --$g36.$tFrederick Meadows-White: Regarding the "Great Composer" Aspect of the Question --$g37.$tAmy Fay: Women Have Too Well Aided Men --$g38.$tMabel Daniels: Fighting Generalizations About Women --$g39.$tA Corollary to the Question: Sexual Aesthetics in Music Criticism --$g40.$tElizabeth Sprague Coolidge: Patron of Chamber Music --$g41.$tNadia Boulanger: Teacher of Composers --
505 80 $g42.$tWomen's Symphony Orchestras --$g43.$tAmerican Women Demand "Mixed" Orchestras --$g44.$tThree Musicians Recall Their Careers: Antonia Brico, Frederique Petrides, and Jeannette Scheerer --$g45.$tMarian Anderson: Contralto --$g46.$tEthel Smyth: "Female Pipings in Eden" --$g47.$tCarl E. Seashore: "Why No Great Women Composers?" --$g48.$tRuth Crawford-Seeger --$g49.$tElisabeth Lutyens --$g50.$tNancy Van de Vate --$g51.$tThe Women's Philharmonic --$g52.$tJoan Tower: Composer --$g53.$tMarcia J. Citron: Musicologist.
650 0 $aWomen musicians.$0http://id.loc.gov/authorities/subjects/sh85147655
650 0 $aWomen composers.$0http://id.loc.gov/authorities/subjects/sh85147508
700 1 $aNeuls-Bates, Carol.$0http://id.loc.gov/authorities/names/n82048693
852 00 $bmus$hML82$i.W65 1996
852 00 $boff,mus$hML82$i.W65 1996
852 00 $bbar$hML82$i.W65 1996