MARC Record from marc_columbia

LEADER: 03220mam a2200421 a 4500
001 1727964
005 20220608222008.0
008 950221t19961996ilu b s001 0 eng
010 $a 95006622
020 $a0809320169
035 $a(OCoLC)ocm32168250
035 $9ALD4212CU
035 $a1727964
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $ae-ie---
050 00 $aPR6019.O9$bD8745 1996
082 00 $a823/.912$220
100 1 $aIngersoll, Earl G.,$d1938-$0http://id.loc.gov/authorities/names/n87840907
245 10 $aEngendered trope in Joyce's Dubliners /$cEarl G. Ingersoll.
260 $aCarbondale :$bSouthern Illinois University Press,$c[1996], ©1996.
300 $axv, 193 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 179-185) and index.
505 00 $g1.$tReading Joyce with Lacan's Readers --$g2.$tRambling Boys: "The Sisters," "An Encounter," and "Araby" --$g3.$tConfinement and the Stigma of Femininity: "Eveline," "The Boarding House," and "Clay" --$g4.$tThe Joking Male: "Two Gallants," "After the Race," "Counterparts," and "Grace" --$g5.$tPrisoners of the House and Traveling Women: "A Little Cloud," "A Painful Case," "Ivy Day in the Committee Room," and "A Mother" --$g6.$tThe Gender of Travel: "The Dead"
520 $aEarl G. Ingersoll convincingly argues that his study is a "return to Lacan," just as Lacan himself believed his own work to be a "return to Freud.".
520 8 $aIn this succinct and accessible study of trope and gender in Dubliners, Ingersoll follows Lacan's example by returning to explore more fully the usefulness of the earlier Lacanian insights stressing the importance of language. Returning to the semiotic - as opposed to the more traditional psychoanalyticLacan, Ingersoll opts for the Lacan who follows Roman Jakobson back to early Freud texts in which Freud happened upon the major structuring principles of similarity and displacement.
520 8 $aJakobson interprets these principles as metaphor and metonymy; Lacan employs these two tropes as the means of representing transformation and desire. Thus, psychic functions meet literary texts in the space of linguistic representation through the signifier: metaphor is a signifier for a repressed signified, while metonymy is a signifier that displaces another.
600 10 $aJoyce, James,$d1882-1941.$tDubliners.$0http://id.loc.gov/authorities/names/n94034908
650 0 $aMasculinity in literature.$0http://id.loc.gov/authorities/subjects/sh94006169
650 0 $aFemininity in literature.$0http://id.loc.gov/authorities/subjects/sh94004221
600 10 $aJoyce, James,$d1882-1941$xLiterary style.
651 0 $aDublin (Ireland)$xIn literature.$0http://id.loc.gov/authorities/subjects/sh2008114861
650 0 $aGender identity in literature.$0http://id.loc.gov/authorities/subjects/sh94004327
650 0 $aEnglish language$xMetonyms.$0http://id.loc.gov/authorities/subjects/sh85043605
650 0 $aSex role in literature.$0http://id.loc.gov/authorities/subjects/sh85120668
650 0 $aMetaphor.$0http://id.loc.gov/authorities/subjects/sh85084283
852 00 $bglx$hPR6019.O9$iD8745 1996