MARC Record from marc_columbia

LEADER: 02190mam a2200361 a 4500
001 1740561
005 20220608223837.0
008 950616s1996 txua b s001 0 eng
010 $a 95032441
020 $a029271582X (cloth)
020 $a0292715838 (pbk.)
035 $a(OCoLC)ocm32778855
035 $9ALF1470CU
035 $a1740561
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aPN1995.25$b.D36 1996
082 00 $a791.43/657$220
100 1 $aDalle Vacche, Angela,$d1954-$0http://id.loc.gov/authorities/names/n91042947
245 10 $aCinema and painting :$bhow art is used in film /$cAngela Dalle Vacche.
250 $a1st ed.
260 $aAustin :$bUniversity of Texas Press,$c1996.
300 $axi, 303 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [267]-292) and index.
505 00 $tIntroduction: A Thematic and Intertextual Approach --$gCh. 1.$tVincente Minnelli's An American in Paris: Painting as Psychic Upheaval --$gCh. 2.$tMichelangelo Antonioni's Red Desert: Painting as Ventriloquism and Color as Movement --$gCh. 3.$tEric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images --$gCh. 4.$tJean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting --$gCh. 5.$tAndrei Tarkowsky's Andrei Rublev: Cinema as the Restoration of Icon Painting --$gCh. 6.$tF. W. Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema --$gCh. 7.$tKenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing --$gCh. 8.$tAlain Cavalier's Therese: Still Life and the Close-Up as Feminine Space.
650 0 $aArt and motion pictures.$0http://id.loc.gov/authorities/subjects/sh85007966
650 0 $aArt in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85008006
650 0 $aPainting and motion pictures.$0http://id.loc.gov/authorities/subjects/sh87002013
650 0 $aMotion pictures$xAesthetics.$0http://id.loc.gov/authorities/subjects/sh85088085
852 00 $bglx$hPN1995.25$i.D36 1996
852 0 $boff,glx$hPN1995.25$i.D36 1996
852 0 $bmil$hPN1995.25$i.D36 1996