Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:342171871:3151 |
Source | marc_columbia |
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LEADER: 03151fam a2200433 a 4500
001 1762015
005 20220608230424.0
008 950329t19951995iaua b 001 0beng d
010 $a 95060652
020 $a0877455147
035 $a(OCoLC)ocm33083938
035 $9ALH4786CU
035 $a(NNC)1762015
035 $a1762015
040 $aNNF$cNNF$dNSbSU$dIWhN$dDLC$dOrLoB-B
042 $alccopycat
043 $ae-ur---
050 04 $aPN2728.M4$bB7 1995
082 00 $a792/.0233/092$220
100 1 $aBraun, Edward.$0http://id.loc.gov/authorities/names/n82029518
245 10 $aMeyerhold :$ba revolution in theatre /$cEdward Braun.
260 $aIowa City :$bUniversity of Iowa Press,$c[1995], ©1995.
300 $a347 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aStudies in theatre history and culture
504 $aIncludes bibliographical references and index (p. [334]-338).
500 $aRev. ed. of: Theatre of Meyerhold. London : Methuen, 1979
520 $aVsevolod Meyerhold began his theatrical career as an actor with the Moscow Art Theatre but he left after four years to establish himself as a director in the remote provinces. At Stanislavsky's invitation he returned to Moscow and founded an experimental studio to find a new direction for the Art theatre's work. Absorbing influences from Maeterlinck, the Russian Symbolists, commedia dell'arte and Oriental theatre, Meyerhold went on to develop a theatrical style that exploded the conventions of naturalism.
520 8 $aHis re-evaluations of the Russian classics culminated in his masterpiece, the 1926 production of The Government Inspector. In 1917, he supported the Bolshevik cause and was the pioneer of revolutionary theatre, but this great innovator fell foul of the Stalinists and was executed in 1940 on concocted charges of treason and espionage.
520 8 $a.
520 8 $aEdward Braun takes us through the journey of this extraordinary life of experiment and discovery. He uses eye-witness accounts to bring to life Meyerhold's productions, their genesis, the problems the director encountered and the inventive solutions he provided. Braun describes Meyerhold's rehearsal techniques and exercises and provides an acute assessment of his continuing influence on contemporary theatre.
520 8 $aIn this fully revised and greatly expanded edition of his book The Theatre of Meyerhold, Edward Braun draws on papers only now being made available in Russia to describe the director's last days, his final tragic confrontation with the NKVD.
600 10 $aMeĭerkholʹd, V. Ė.$q(Vsevolod Ėmilʹevich),$d1874-1940.$0http://id.loc.gov/authorities/names/n50029001
650 0 $aTheatrical producers and directors$zSoviet Union$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008112861
650 0 $aTheater$zSoviet Union$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008112863
830 0 $aStudies in theatre history and culture.$0http://id.loc.gov/authorities/names/n90722875
852 00 $bbar$hPN2728.M4$iB7 1995
852 00 $bmil$hPN2728.M4$iB7 1995