| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:346408009:1878 |
| Source | marc_columbia |
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LEADER: 01878fam a2200325 a 4500
001 1764756
005 20220608231004.0
008 950517s1996 mdu b 001 0 eng
010 $a 95022341
020 $a0801851920 (alk. paper)
020 $a0801851939 (pbk. : alk. paper)
035 $a(OCoLC)32626698
035 $a(OCoLC)ocm32626698
035 $9ALH8177CU
035 $a(NNC)1764756
035 $a1764756
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPN1042$b.B24 1996
082 00 $a809.1/4$220
100 1 $aBahti, Timothy,$d1952-$0http://id.loc.gov/authorities/names/n91108455
245 10 $aEnds of the lyric :$bdirection and consequence in Western poetry /$cTimothy Bahti.
260 $aBaltimore, Md. :$bJohns Hopkins University Press,$c1996.
300 $aviii, 288 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 257-284) and index.
505 00 $g1.$tShakespeare's Sonnets: Ends and Means of the Lyric --$g2.$tThis, That, and Something Else Again: The Loop and the Knot of Leopardi's "L'Infinito" --$g3.$tColeridge's "Kubla Khan": Fragmentation and Reflection between Beginning and End --$g4.$tReading Keats: "Still" Reading --$g5.$tLightning Bolts, Arrows, Weather Vanes, and the Crux of Soullessness: Directions and Ends of the Poetic Image in Three Holderlin Poems --$g6.$tPassage to Reading in Baudelaire's "A une passante" --$g7.$tEnd and Ending: On the Lyric Technique of Three Wallace Stevens Poems --$g8.$tScrolls, Projectiles, and Plunges: Endings, Rejections, and Collections: Three Celan Poems --$tAfterword: Poetries of Inversion and a Genre of Lyric.
650 0 $aPoetics.$0http://id.loc.gov/authorities/subjects/sh85103703
650 0 $aClosure (Rhetoric)$0http://id.loc.gov/authorities/subjects/sh85027147
852 00 $bglx$hPN1042$i.B24 1996