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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:349673100:5355
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:349673100:5355?format=raw

LEADER: 05355mam a22004098a 4500
001 1766957
005 20220608231536.0
008 940908s1996 nyu 001 0 eng
010 $a 94024438
020 $a0865474826 :$c$25.00
035 $a(OCoLC)ocm31243534
035 $9ALJ1359CU
035 $a(NNC)1766957
035 $a1766957
040 $aDLC$cDLC$dGZM$dOrLoB-B
041 1 $aeng$hger
050 00 $aPT2635.I65$bA267 1996
082 00 $a831/.912$220
100 1 $aRilke, Rainer Maria,$d1875-1926.$0http://id.loc.gov/authorities/names/n79042183
240 10 $aPoems.$kSelections.$lEnglish$0http://id.loc.gov/authorities/names/n81073945
245 10 $aUncollected poems /$cRainer Maria Rilke ; translated from the German by Edward Snow.
250 $a1st ed.
260 $aNew York :$bNorth Point Press,$c1996.
263 $a9507
300 $axix, 265 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
505 00 $tForget, forget --$tYou don't know nights of love? --$tSharp castle-break --$tMoonlit Night --$tJudith's Return --$tTo Lou Andreas-Salome --$tPearls roll away --$tAh, as we prayed for human help --$tO the curves of my longing through the cosmos --$tCome when you should --$tI, knower --$tThe almond trees in bloom --$tThe Spanish Trilogy --$tThe Raising of Lazarus --$tThe Spirit Ariel --$tStraining so hard against the strength of night --$tWe don't know what we spend --$tLong you must suffer --$tThe hawthorn --$tUnknowing before the heavens of my life --$tOverflowing heavens of squandered stars --$tNarcissus [I] --$tNarcissus [II] --$tChrist's Descent into Hell --$tNow we wake up with our memory --$tThinking you --$tAssault me, music, with rhythmic fury! --$tBehind the innocent trees --$tHead of Amenophis IV in Berlin --$tThe way that bright planet, the moon --$tTears, tears that break out of me --$tOnce I took you face into / my hands --$tThe Great Night --$tLooking up from my book --
505 80 $tYou the beloved / lost in advance --$tSee the carefree insect --$tTurning --$tLament --$t"One Must Die Because One Has Known Them" --$tAlmost as on the last day --$tTo Holderlin --$tOn the mountains of the heart cast out to die --$tAgain and again --$tAh misery, my mother tears me down --$tThe Death of Moses --$tDeath --$tThe Words of the Lord to John on Patmos --$tThe body's crossroads --$tNow the stag becomes part of earth --$tGray love-snakes --$tThe transformed speaks only to relinquishers --$tTo Music --$tGod won't be lived like some light morning --$tThe Doll. Temptation! --$tTo have come through it --$tThe Hand --$tAs long as you catch self-thrown things --$t...When will, when will, when will it be enough --$tAntistrophes --$tWe, in the grappling nights --$tMy shy moonshadow --$tVase Painting --$tOdette R.... --$tImaginary Career --$tLachrymatory --$tWe're only mouth --$tHeart's swing --$tPlay the deaths swiftly through --$tFor Max Picard --$tThat we lose nothing --$tFor Hans Carossa --
505 80 $tThe Magician --$tWill-o'-the-Wisps --$tAs once the winged energy of delight --$tEarly Spring --$tTransience --$tA Walk --$tDo you still remember --$tWild Rosebush --$tBy the sun-accustomed street --$tWhat birds plunge through --$tUnsteady scales of life --$tWorld was in the face of the beloved --$tAh, adrift in the air --$tA furrow in my brain --$tPalm of the Hand --$tNight. Oh you face against my face --$tGravity --$tMausoleum --$tSomewhere the flower of farewell blooms --$tMore unconcealed the land --$tAutumn --$tO bright gleam of a shy mirror image! --$t...When from the merchant's hand --$tAh, not to be cut off --$tUndeterrable --$tNow it is time that gods --$tRose, O pure contradiction --$tGong [I] --$tIdol --$tGong [II] --$tBut if you'd try this --$tEarlier, how often, we'd remain --$tThe birdcalls begin their praise --$tBrother body is poor --$tGarden, by approaching rains --$tElegy --$tFull Power --$tArrival --$tCome, you last thing.
520 $aBetween the New Poems of 1907 and 1908 and his death in 1926, Rainer Maria Rilke published only two major volumes of poetry - the Duino Elegies and the Sonnets to Orpheus, both in 1923. But during this period he wrote poetry continually, often prolifically - in letters, in guest books, in presentation copies, and chiefly in the pocket-books he always carried with him.
520 8 $aThe body of this uncollected work in German exceeds five hundred pieces, a remarkable number of which must be counted among Rilke's finest poems. They range from finished poems of great poise and brilliance, to headlong statements that hurtle through their subjects, to hauntingly self-contained "fragments," to short bursts that arc into the unpursuable. Together they share a nakedness and an immediacy of voice that make them feel uncannily contemporary and draw the reader close.
520 8 $a. Edward Snow's selection of more than a hundred of these little-known and neglected poems - the first edition of such scope for the general reader - distills the best of the uncollected poems while offering a wide enough choice to convey Rilke's variety and industry during the years he wrote them.
700 1 $aSnow, Edward A.$0http://id.loc.gov/authorities/names/n80027812
852 00 $bglx$hPT2635.I65$iA267 1996
852 00 $bbar$hPT2635.I65$iA267 1996