Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:359230147:3993 |
Source | marc_columbia |
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LEADER: 03993fam a2200397 a 4500
001 1774958
005 20220719092555.0
008 941117t19961996nyua b 001 0 eng
010 $a 94025280
020 $a0826408184
020 $a9780826408181
035 $a(OCoLC)31605218
035 $a(OCoLC)ocm31605218
035 $9ALJ9884CU
035 $a(NNC)1774958
035 $a1774958
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aPN1995.9.W4$bB66 1995
082 00 $a791.43/6278$220
245 04 $aThe Book of westerns /$cedited by Ian Cameron and Douglas Pye.
260 $aNew York, NY :$bContinuum,$c[1996], ©1996.
300 $a320 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"Published in Great Britain as The Movie Book of the Western" -- T.p. verso.
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: Criticism and the Western /$rDouglas Pye --$tCountry Music and the 1939 Western: From Hillbillies to Cowboys /$rPeter Stanfield --$tA Better Sense of History: John Ford and the Indians /$rRichard Maltby --$tWhy Do Cowboys Wear Hats in the Bath? Style Politics for the Older Man /$rMartin Pumphrey --$tSocial Class and the Western as Male Melodrama /$rDavid Lusted --$tJohn Wayne's Body /$rDeborah Thomas --$tThe Dietrich Westerns: Destry Rides Again and Rancho Notorious /$rFlorence Jacobowitz --$tMethod Westerns: The Left-Handed Gun and One-Eyed Jacks /$rJonathan Bignell --$tGenre and History: Fort Apache and The Man Who Shot Liberty Valance /$rDouglas Pye --$tThe Westerns of Delmer Daves /$rMichael Walker --$tA Time and a Place: Budd Boetticher and the Western /$rMike Dibb --$tThe Collapse of Fantasy: Masculinity in the Western of Anthony Mann /$rDouglas Pye --$tDrums Along the Mohawk /$rRobin Wood --$tDodge City /$rCharles Barr --$tDuel in the Sun /$rRobin Wood --
505 80 $tNotes on Pursued /$rAndrew Britton --$tWestward the Women: Feminising the Wilderness /$rPeter William Evans --$tShane Through Five Decades /$rBob Baker --$tJohnny Guitar /$rV. F. Perkins --$tDouble Vision: Miscegenation and Point of View in The Searchers /$rDouglas Pye --$tHeller in Pink Tights /$rRichard Lippe --$tNot With a Bang: The End of the West in Lonely Are the Brave, The Misfits and Hud /$rEdward Gallafent --$tHow the West Was Won: History, Spectacle and the American Mountains /$rSheldon Hall --$tUlzana's Raid /$rDouglas Pye --$tPat Garrett & Billy the Kid /$rBrad Stevens --$tClass Frontiers: The View from Heaven's Gate /$rBrian Woolland --$tDances with Wolves /$rMichael Walker --$tUnforgiven /$rLeighton Grist --$tFour Tombstones 1946-1994 /$rEdward Gallafent.
520 $aThe Book of Westerns concentrates on the period between 1939 and the present day, looking at the Western from a wide variety of perspectives and providing in-depth critical analysis of many notable movies up to Tombstone (1993) and Wyatt Earp (1994).
520 8 $aThe coverage includes such celebrated works as George Stevens's Shane with Alan Ladd as the archetypal solitary Western hero, Nicholas Ray's Johnny Guitar where the combatants in the final gunfight are Joan Crawford and Mercedes McCambridge, and King Vidor's Duel in the Sun with its orgasmic climax when Gregory Peck and Jennifer Jones shoot each other down and then claw their way toward a dying embrace.
520 8 $aThe text, mainly written by film critics and academics associated with Movie magazine, is aimed at the informed filmgoer as well as the film student and is illustrated throughout with stills that capture the flavor of the Western.
650 0 $aWestern films$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008113451
700 1 $aCameron, Ian,$d1937-2010.$0http://id.loc.gov/authorities/names/n50031539
700 1 $aPye, Douglas.$0http://id.loc.gov/authorities/names/n94111886
852 00 $bglx$hPN1995.9.W4$iB66 1996
852 00 $bmil$hPN1995.9.W4$iB66 1995