| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:364757210:1636 |
| Source | marc_columbia |
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LEADER: 01636mam a2200289 a 4500
001 1778512
005 20220608233446.0
008 960111t19961996ncua bq 001 0 eng
010 $a 96004041
020 $a0786400803 (lib. bdg. : alk. paper)
035 $a(OCoLC)ocm34078911
035 $9ALK5044CU
035 $a1778512
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aPN1998.3.F65$bD37 1996
082 00 $a791.43/0233/092$220
100 1 $aDarby, William,$d1942-$0http://id.loc.gov/authorities/names/n87879372
245 10 $aJohn Ford's westerns :$ba thematic analysis, with a filmography /$cby William Darby.
260 $aJefferson, N.C. :$bMcFarland,$c[1996], ©1996.
300 $aix, 307 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aFilmography: p. 289-297.
504 $aIncludes bibliographical references (p. 287-288) and index.
505 00 $g1.$tFord and the Filming of the West --$g2.$tStraight Shooting, The Iron Horse, and Three Bad Men --$g3.$tThematic and Narrative Continuities: Drums Along the Mohawk and How the West Was Won --$g4.$tThe Horse Soldiers --$g5.$tFord's Western Literary Sources and Their Adaptations --$g6.$tFort Apache and Rio Grande --$g7.$tShe Wore a Yellow Ribbon and Sergeant Rutledge --$g8.$tMy Darling Clementine and The Man Who Shot Liberty Valance --$g9.$tWagonmaster and Two Rode Together --$g10.$tThree Godfathers and The Searchers --$g11.$tStagecoach and Cheyenne Autumn --$tFilmography: Ford's Westerns.
600 10 $aFord, John,$d1894-1973$xCriticism and interpretation.
852 00 $bglx$hPN1998.3.F65$iD37 1996