Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:402143415:3262 |
Source | marc_columbia |
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LEADER: 03262fam a2200421 a 4500
001 1809646
005 20220609001711.0
008 951003t19961996nyua bc 001 0 eng
010 $a 95044485
020 $a1555951287 (pbk. : alk. paper)
035 $a(OCoLC)33360956
035 $a(OCoLC)ocm33360956
035 $9ALN9951CU
035 $a(NNC)1809646
035 $a1809646
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $an-ust--$an-us-mn
050 00 $aE99.M76$bB766 1996
082 00 $a738.3/09789/692$220
100 1 $aBrody, J. J.$0http://id.loc.gov/authorities/names/n83065560
245 10 $aTo touch the past :$bthe painted pottery of the Mimbres people : essays /$cby J.J. Brody and Rina Swentzell ; introduction by Lyndel King.
250 $a1st ed.
260 $aNew York :$bHudson Hills Press in association with Frederick R. Weisman Art Museum at the University of Minnesota, Minneapolis,$c[1996], ©1996.
300 $a119 pages :$billustrations (some color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"Published in conjunction with the exhibition To Touch the Past: the Painted Pottery of the Mimbres People, which was organized by the Frederick R. Weisman Art Museum and shown from April 14 through June 16, 1996"--T.p. verso.
504 $aIncludes bibliographical references (p. 118) and index.
505 00 $tIntroduction /$rLyndel King --$tTo Touch the Past --$tThe Painted Pottery of the Mimbres People /$rJ. J. Brody and Rina Swentzell --$tThe Mimbres People and Their Land --$tArt: Ideology and a "Structuring Out" of the Universe --$tPottery Paintings: Old Art in a New World --$tPottery: Technology, Form, and Function --$tPaintings: Picturing Inner Visions --$tPaintings: Worlds We See and Worlds We Know --$tNotes on Mimbres Culture and Artistic Styles.
520 $aThe Native American people we refer to as Mimbres flourished in southern New Mexico some one thousand years ago. They are remembered today for the images they painted inside shallow bowls and eventually buried with their dead. Their arrestingly beautiful paintings, showing a sophisticated sense of design and remarkable level of confidence, depict abstract patterns; animals, birds, insects, and people; common activities such as hunting and fishing; and magical events.
520 8 $aThese bowls have been avidly collected in the twentieth century and have inspired contemporary artists, both Native American and others.
520 8 $aThe Frederick R. Weisman Art Museum at the University of Minnesota holds one of the two largest collections of Mimbres pottery in the world. The finest of its eight hundred objects - almost all of them from the Galaz Site - are published in To Touch the Past: The Painted Pottery of the Mimbres People in conjunction with a major exhibition (few of them have ever been exhibited or published before).
650 0 $aMimbres pottery$vExhibitions.
650 0 $aMimbres culture$vExhibitions.
610 20 $aFrederick R. Weisman Art Museum$vExhibitions.
700 1 $aSwentzell, Rina.$0http://id.loc.gov/authorities/names/n92030221
710 2 $aFrederick R. Weisman Art Museum.$0http://id.loc.gov/authorities/names/n93054744
852 80 $bfax$hN6502 So87$iB783