| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:425969325:2666 |
| Source | marc_columbia |
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LEADER: 02666fam a2200397 a 4500
001 1829941
005 20220609004541.0
008 950724s1996 waua bc s001 0 eng
010 $a 95036452
020 $a0295975075 (alk. paper)
020 $a0295975180 (pbk.)
035 $a(OCoLC)32923144
035 $a(OCoLC)ocm32923144
035 $9ALR2519CU
035 $a(NNC)1829941
035 $a1829941
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
043 $an-us-ak
050 00 $aE99.E7$bR34 1996
082 00 $a704/.03971$220
100 1 $aRay, Dorothy Jean.$0http://id.loc.gov/authorities/names/n79148175
245 12 $aA legacy of arctic art /$cby Dorothy Jean Ray ; foreword by Aldona Jonaitis ; photographs by Barry McWayne.
260 $aSeattle, WA :$bUniversity of Washington Press,$c1996.
263 $a9605
300 $axix, 196 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 178-184) and index.
500 $a"Published for the University of Alaska Museum."
505 00 $tHow It Started and Where It Went --$tContemporary Graphics.$tThe Professional Artists.$tInupiaq Picture Writing --$tMainly Women's Work.$tCoiled Grass Basketry.$tSkin Sewing: Dolls, Applique, Parkas.$tThe Nome Skin Sewers Cooperative Association --$tWood.$tManna from Upriver.$tSome Thoughts about Dolls and Statues.$tThe Messenger Feast of 1912.$tAnimal Figurines --$tPictorial Engraving or Eskimo Scrimshaw.$tDrill Bows and Snow Beaters.$tCribbage Boards and Walrus Tusks.$tHappy Jack and His Ivory Art.$tEngraved Ivory, 1918-1950.$tEngraved Ivory, 1950-1970.$tEngraved Ivory, 1990s --$tCanadian Inuit Art.$tSix Stone Carvings --$tAthabascan Chief's Coat --$tCan This Be Eskimo Art?$tThe Seattle Connection.$tReproductions and Deceptions.$tThe Billiken.$tAppendix: Lily Ekak Savok's Picture Writing.
520 $aDorothy Jean Ray describes her collection of nearly one hundred Eskimo artifacts, now part of the University of Alaska Museum, Fairbanks, and provides an engaging and colorful history of her own pioneering work as an anthropologist, researcher, and writer. Functioning both as a catalog and memoir, the book combines the formal, analytical description of each object with an informal discussion of the author's relationships with the artists and others from whom she obtained these pieces.
650 0 $aEskimo art$vCatalogs.
650 0 $aEskimos$xMaterial culture$vCatalogs.
610 20 $aUniversity of Alaska Museum$xEthnological collections$vCatalogs.
852 80 $bfax$hN6502 AL42$iR21
852 00 $bbar$hE99.E7$iR34 1996