MARC Record from marc_columbia

LEADER: 03007mam a2200421 a 4500
001 1832942
005 20220609005103.0
008 951214s1996 njua b 001 0 eng
010 $a 95052727
020 $a0813522757 (cloth : alk. paper)
020 $a0813522765 (pbk. : alk. paper)
020 $a0813522773 (cloth : alk. paper)
035 $a(OCoLC)ocm33969754
035 $9ALR6389CU
035 $a(NNC)1832942
035 $a1832942
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aPN1995.9.M56$bB57 1996
082 00 $a791.43/6520693$220
245 04 $aThe birth of whiteness :$brace and the emergence of U.S. cinema /$cedited by Daniel Bernardi.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$c1996.
263 $a9606
300 $aviii, 378 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: Race and the Emergence of U.S. Cinema /$rDaniel Bernardi --$tThe Re-Birth of the Aesthetic in Cinema /$rClyde Taylor --$tThe Making of The Birth of a Race: The Emerging Politics of Identity in Silent Movies /$rThomas Cripps --$tIdentity and Betrayal: The Symbol of the Unconquered and Oscar Micheaux's "Biographical Legend" /$rPearl Bowser and Louise Spence --$tThe Accepted Idea Displaced: Stereotype and Sessue Hayakawa /$rDonald Kirihara --$tThe Voice of Whiteness: D. W. Griffith's Biograph Films (1908-1913) /$rDaniel Bernardi --$tThe Family on the Land: Race and Nationhood in Silent Westerns /$rVirginia Wright Wexman --$tRace and the Reception of Jack Johnson Fight Films /$rDan Streible --$tBirth of the Southwest: Social Protest, Tourism, and D. W. Griffith's Ramona /$rChon A. Noriega --$tThe Undoing of the Other Woman: Madame Butterfly in the Discourse of American Orientalism /$rNick Browne --$tTragic and Transcendent Love in The Forbidden City /$rGina Marchetti --
505 80 $tThe Revenge of Rain-in-the-Face? or, Custers and Indians on the Silent Screen /$rRoberta E. Pearson --$tRobert Flaherty's Nanook of the North: The Politics of Taxidermy and Romantic Ethnography /$rFatimah Tobing Rony --$tTouring the Orient with Lafcadio Hearn and Cecil B. DeMille: Highbrow versus Lowbrow in a Consumer Culture /$rSumiko Higashi.
650 0 $aMinorities in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85085831
650 0 $aRacism in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85110270
650 0 $aRace relations in motion pictures.$0http://id.loc.gov/authorities/subjects/sh92001871
650 0 $aSilent films$zUnited States$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008111666
700 1 $aBernardi, Daniel,$d1964-$0http://id.loc.gov/authorities/names/n95120377
852 00 $bglx$hPN1995.9.M56$iB57 1996
852 00 $bbar$hPN1995.9.M56$iB57 1996
852 00 $bmil$hPN1995.9.M56$iB57 1996
852 80 $bushi$hPN1995.9.M56$iB57 1996