MARC Record from marc_columbia

LEADER: 03447fam a2200445 a 4500
001 1854097
005 20220609011741.0
008 960214s1996 nyu bc 001 0 eng
010 $a 96006768
020 $a0870997696 (hc)
020 $a0870997718 (pbk. : alk. paper)
035 $a(OCoLC)34281799
035 $a(OCoLC)ocm34281799
035 $9ALT9880CU
035 $a(NNC)1854097
035 $a1854097
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
050 00 $aND553.C8$bA4 1996
082 00 $a759.4$220
100 1 $aTinterow, Gary.$0http://id.loc.gov/authorities/names/n81027224
245 10 $aCorot /$cGary Tinterow, Michael Pantazzi, Vincent Pomarède.
260 $aNew York :$bMetropolitan Museum of Art,$c1996.
263 $a9606
300 $axvi, 479 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aPublished in conjunction with the exhibition "Corot", held at the Grand Palais, Paris, Feb. 27 to May 27, 1996; at the National Gallery of Canada, Ottawa, June 21 to September 22, 1996; and at the Metropolitan Museum of Art, from October 29, 1996, January 19, 1997.
504 $aIncludes bibliographical references (p. 419-450) and index.
505 00 $t1821-34 The Making of An Artist.$tCatalogue: 1-60 /$rVincent Pomarede --$t1835-58 The Greatest Landscape Painter of Our Time.$tCatalogue: 61-114 /$rMichael Pantazzi --$t1859-75 Le Pere Corot: The Very Poet of Landscape.$tCatalogue: 115-163 /$rGary Tinterow --$tCorot Forgeries: Is the Artist Responsible? /$rVincent Pomarede --$tCorot and His Collectors /$rMichael Pantazzi.
520 $aTwo hundred years after the birth of Jean-Baptiste-Camille Corot (1796-1875), 163 of the French artist's finest paintings have been brought together in an important exhibition that allows a public on both sides of the Atlantic to rediscover the riches and pleasures of his art. Corot, an original painter who produced a body of work of exceptional range, has been many things to many viewers.
520 8 $aHis silvery landscapes were adored by nineteenth-century collectors, and his sparkling sketches painted in plein air were later hailed as precursors of Impressionism. Art lovers have prized his figures paintings, the least well known and perhaps the most modern of all his works.
520 8 $a. Corot's long and prolific career coincided with major artistic developments: the flourishing of Neoclassical, Romantic, and Realist tendencies; the Barbizon school; the rise of Impressionism. Although he has been claimed at various times for each of these movements, Corot defies categorization. His art was fueled by a profound love of the natural world, and the vision he pursued was his own. This catalogue of the exhibition recounts the engrossing progress of his life and art.
600 10 $aCorot, Jean-Baptiste-Camille,$d1796-1875$vExhibitions.
700 1 $aPantazzi, Michael.$0http://id.loc.gov/authorities/names/n87900500
700 1 $aPomarède, Vincent.$0http://id.loc.gov/authorities/names/n94082504
710 2 $aGaleries nationales du Grand Palais (France)$0http://id.loc.gov/authorities/names/n80160083
710 2 $aNational Gallery of Canada.$0http://id.loc.gov/authorities/names/n79043161
710 2 $aMetropolitan Museum of Art (New York, N.Y.)$0http://id.loc.gov/authorities/names/n79129629
852 80 $bfax$hND553 C81$iT49
852 00 $bbar$hND553.C8$iA4 1996