| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:458782826:1973 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:458782826:1973?format=raw |
LEADER: 01973fam a2200349 a 4500
001 1857416
005 20220609012320.0
008 960408s1996 paua b 001 0 eng
010 $a 96008202
020 $a1556192711 (alk. paper)
035 $a(OCoLC)123259747
035 $a(OCoLC)ocn123259747
035 $9ALU4147CU
035 $a(NNC)1857416
035 $a1857416
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aND653.G7$bH58 1996
082 00 $a759.9492$220
100 1 $aHomburg, Cornelia.$0http://id.loc.gov/authorities/names/nr95028110
245 14 $aThe copy turns original :$bVincent van Gogh and a new approach to traditional art practice /$cCornelia Homburg.
260 $aPhiladelphia :$bJohn Benjamins,$c1996.
263 $a9606
300 $axviii, 233 pages :$billustrations (some color) ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aOculi,$x0923-0033 ;$vv. 6
504 $aIncludes bibliographical references and index.
505 00 $gPt. 1.$tThe copy in historical perspective.$g1.$tForms of copying.$g2.$tThe copy as part of the academic curriculum.$g3.$tOpposition to academic teaching.$g4.$tThe Post-Impressionist copy --$gPt. 2.$tVan Gogh's copies in Saint-Remy.$g5.$tVan Gogh, copyist.$g6.$tDelacroix - the modern master.$g7.$tRembrandt - painter of life and mystery.$g8.$tThe significance of religious subject matter.$g9.$tThe copies after Delacroix and Rembrandt.$g10.$tMillet - painter of humanity.$g11.$tThe copies after Millet.$g12.$tVan Gogh's other copies in Saint-Remy --$gPt. 3.$tVan Gogh's copies in a wider context.$g13.$tReception.$g14.$tCopies by contemporaries.$g15.$tCopies of avant-garde models.$g16.$tFurther developments.
600 10 $aGogh, Vincent van,$d1853-1890$xCriticism and interpretation.
650 0 $aPictures$xCopying.$0http://id.loc.gov/authorities/subjects/sh85102014
830 0 $aOculi (Amsterdam, Netherlands) ;$vv. 6.
852 80 $bfax$hND653 G55$iH75