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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:499827477:2469
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:499827477:2469?format=raw

LEADER: 02469fam a2200397 a 4500
001 1894570
005 20220609021625.0
008 960223s1996 nyu b 000 0 eng
010 $a 96010851
020 $a0810935856 (cloth)
035 $a(OCoLC)34320478
035 $a(OCoLC)ocm34320478
035 $9ALY5557CU
035 $a(NNC)1894570
035 $a1894570
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aNC248.P78$bA4 1996
082 00 $a741.944$220
100 1 $aPrud'hon, Pierre-Paul,$d1758-1823.$0http://id.loc.gov/authorities/names/n81102782
245 14 $aThe language of the body :$bdrawings by Pierre-Paul Prud'hon /$cconception and selection by Robert Gordon ; text by John Elderfield.
260 $aNew York :$bHarry N. Abrams, Publishers,$c1996.
263 $a9610
300 $a221 pages :$billustrations ;$c33 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
520 $aFrench artist Pierre-Paul Prud'hon (1758-1823) is best known as a painter of mythological and allegorical subjects that impressed his younger contemporaries Theodore Gericault and Eugene Delacroix. Fully as deserving of attention is a series of exquisite chalk studies - known as academies - that he made throughout his career. These drawings of male and female nudes - many of which have never before been published - are the focus of this beautiful and unique book.
520 8 $aIn his text, John Elderfield first discusses Prud'hon's life and work, examining the complexities and contradictions of his career and his singular place in the art of his time, including his role in the creation of the modern female nude. Then he considers the drawings themselves.
520 8 $aFollowing the text are fifty-seven of Prud'hon's finest drawings - reproduced in full color - carefully selected and arranged by Robert Gordon to unfold in a visual display of gesture and form. The book concludes with the author's notes and a selected bibliography.
600 10 $aPrud'hon, Pierre-Paul,$d1758-1823$xCriticism and interpretation.
650 0 $aNude in art.$0http://id.loc.gov/authorities/subjects/sh85093169
700 1 $aGordon, Robert,$d1946-$0http://id.loc.gov/authorities/names/n83053577
700 1 $aElderfield, John.$0http://id.loc.gov/authorities/names/n79056366
852 00 $bbar$hNC248.P78$iA4 1996
852 80 $bfax$hND553 P95$iP949
852 00 $boff,war$hNC248.P78$iA4 1996