| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:544086439:1781 |
| Source | marc_columbia |
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LEADER: 01781fam a2200373 a 4500
001 1929280
005 20220609031037.0
008 951130s1996 nyu b 001 0 eng
010 $a 95051153
020 $a052155456X (hardcover)
035 $a(OCoLC)34691646
035 $a(OCoLC)ocm34691646
035 $9AMC5541CU
035 $a(NNC)1929280
035 $a1929280
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $ae-uk-st
050 00 $aPN2604$b.D53 1997
082 00 $a792/.09411/09045$220
100 1 $aDiCenzo, Maria.$0http://id.loc.gov/authorities/names/n97006647
245 14 $aThe politics of alternative theatre in Britain, 1968-1990 :$bthe case of 7:84 (Scotland) /$cMaria Dicenzo.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1996.
263 $a9701
300 $axiv, 247 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCambridge studies in modern theatre
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rJohn McGrath --$gPt. 1.$tMethodology and context.$g1.$tIntroduction: producing theatre histories.$g2.$tCreating a context: alternative theatre in the seventies and eighties --$gPt. 2.$tA case study of 7:84 (Scotland).$g3.$tAnatomy of a popular political theatre company.$g4.$tMaking socialist theatre: the theory.$g5.$tFrom theory to practice: the plays.$tAppendix: 7:84 (Scotland) productions, 1973-1988.
610 20 $a7:84 Company Scotland (Theater company)$xHistory.
650 0 $aTheater$xPolitical aspects$zScotland.
650 0 $aTheater$zScotland$xHistory$y20th century.
830 0 $aCambridge studies in modern theatre.$0http://id.loc.gov/authorities/names/n95028824
852 00 $boff,glx$hPN2604$i.D53 1996