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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:545817585:3164
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:545817585:3164?format=raw

LEADER: 03164fam a2200421 a 4500
001 1930349
005 20220609031431.0
008 961007t19971997ncu b 001 0 eng
010 $a 96044555
020 $a0786402687 (alk. paper)
035 $a(OCoLC)35770887
035 $a(OCoLC)ocm35770887
035 $9AMC6802CU
035 $a(NNC)1930349
035 $a1930349
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aPS338.M46$bM33 1996
082 00 $a812/.5409052041$221
100 1 $aMcDonough, Carla J.,$d1963-$0http://id.loc.gov/authorities/names/n96097811
245 10 $aStaging masculinity :$bmale identity in contemporary American drama /$cCarla J. McDonough.
260 $aJefferson, N.C. :$bMcFarland & Co. Publishers,$c[1997], ©1997.
300 $avi, 186 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $gCh. 1.$tMasculinity and Performance --$gCh. 2.$tCanonical Forefathers.$tEugene O'Neill: Father of American Drama.$tTennessee Williams: Masquerades of Masculinity.$tArthur Miller: Portrait of the Common Man.$tAmiri Baraka: Angry Young Men --$gCh. 3.$tSam Shepard: The Eternal Patriarchal Return.$tDueling Identities: Tooth of Crime and True West.$tFathers and Sons: Curse of the Starving Class and Buried Child.$tWomen and Male Identity: Fool for Love and A Lie of the Mind.$tAfterward: States of Shock --$gCh. 4.$tDavid Mamet: The Search for Masculine Space.$tThe Search for Selfhood: Edmond.$tApprenticeships to Manhood: Sexual Perversity in Chicago and Lakeboat.$tCompetition for Identity: Glengarry Glen Ross.$tMen at Work: American Buffalo and Speed-the-Plow.$tFueling the Fires: Oleanna.$tEngendering Language --$gCh. 5.$tDavid Rabe: Men Under Fire.$tIn the Shadow of War: The Vietnam Trilogy.$tMedia Images of Manhood: The Basic Training of Pavlo Hummel and Sticks and Bones.$tIn the Cadre Room: Streamers.
505 80 $tMyths of Male Friendship I: Goose and Tomtom Play Dress-Up.$tMyths of Male Friendship II: Hurlyburly --$gCh. 6.$tAugust Wilson: Performing Black Masculinity.$tBlack Masculinity.$tMasculinity and the Tradition of African American Drama.$tBlues Men: Ma Rainey's Black Bottom.$tFamily Men: Fences, Joe Turner's Come and Gone, and Piano Lesson.$tMen in Groups: Two Trains Running.$tBlack and White Masculinity --$gCh. 7.$tOther Voices, Other Men: Reinventing Masculinity.
650 0 $aAmerican drama$xMale authors$xHistory and criticism.
650 0 $aMen in literature.$0http://id.loc.gov/authorities/subjects/sh85083528
650 0 $aAmerican drama$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100766
650 0 $aMasculinity in literature.$0http://id.loc.gov/authorities/subjects/sh94006169
600 10 $aShepard, Sam,$d1943-2017$xCharacters$xMen.
600 10 $aWilson, August$xCharacters$xMen.
600 10 $aMamet, David$xCharacters$xMen.
600 10 $aRabe, David$xCharacters$xMen.
650 0 $aGroup identity in literature.$0http://id.loc.gov/authorities/subjects/sh94007593
852 00 $bglx$hPS338.M46$iM33 1997