Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:571829656:2509 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:571829656:2509?format=raw |
LEADER: 02509fam a2200373 a 4500
001 1951549
005 20220609034020.0
008 950905s1997 paua b s001 0 eng
010 $a 95036306
020 $a0271015535 (alk. paper)
035 $a(OCoLC)33132187
035 $a(OCoLC)ocm33132187
035 $9AMF1260CU
035 $a(NNC)1951549
035 $a1951549
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aN8213$b.R58 1997
082 00 $a760/.04436$220
100 1 $aRoskill, Mark W.$q(Mark Wentworth),$d1933-2000.$0http://id.loc.gov/authorities/names/n50047439
245 14 $aThe languages of landscape /$cMark Roskill.
260 $aUniversity Park, Pa. :$bPennsylvania State University Press,$c1997.
263 $a9701
300 $a289 pages :$billustrations ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 239-276) and index.
505 00 $g1.$tLandscape and Language, Landscape and Literature --$g2.$tPragmatics of the Creative Process --$g3.$tThe Developing Appeal of Landscape, 1750-1830 --$g4.$tTropologies of the Nineteenth Century --$g5.$tEtymologies of Modern Purpose and Practice.
520 $aIn The Languages of Landscape, Mark Roskill employs a new approach to understanding Western landscape art, from antiquity to the present, by linking the concerns of its creators to the ways in which such art was viewed in successive periods or contexts. Roskill uses new methodologies deriving from sociology, anthropology, the study of rhetorical theory, and especially a version of visual semiotics for this analysis.
520 8 $aThe discussion covers artists not usually associated with landscape, such as Goya and Gericault, as well as major figures such as Bruegel and Durer. Roskill ranges over topics of current interest such as the gendering of art; art in the service of colonialism; popularized uses of landscape; and the imagery of war-scarred countryside.
520 8 $aHe addresses issues of intertextuality; audience awareness; response to social and industrial developments; the tropologies of rhetoric as they apply to visual imagery; and the problematic status of landscape art in this century.
650 0 $aLandscapes in art.$0http://id.loc.gov/authorities/subjects/sh85074423
650 0 $aArt$vTerminology.$0http://id.loc.gov/authorities/subjects/sh2009115519
650 0 $aSemiotics.$0http://id.loc.gov/authorities/subjects/sh85119950
852 80 $bfax$hN7635$iR73