MARC Record from marc_columbia

LEADER: 02161mam a2200349 a 4500
001 1953406
005 20220609034500.0
008 960321s1997 enkb b 001 0 eng
010 $a 96014765
020 $a0521563844
035 $a(OCoLC)ocm34513129
035 $9AMF3423CU
035 $a(NNC)1953406
035 $a1953406
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPS332$b.S64 1997
082 00 $a812.009$220
100 1 $aSmith, Susan Harris.$0http://id.loc.gov/authorities/names/n96030772
245 10 $aAmerican drama :$bthe bastard art /$cSusan Harris Smith.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1997.
300 $avi, 248 pages :$bmap ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCambridge studies in American theatre and drama
504 $aIncludes bibliographical references (p. 208-231) and index.
505 00 $g1.$tIntroduction: The Problem of American Drama --$g2.$tGeneric Hegemony: The Exclusion of American Drama --$g3.$tNo Corner in Her Own House: What Is American About American Drama? --$g4.$tDid She Jump or Was She Pushed? American Drama in the University Curriculum --$g5.$tCaught in the Close Embrace: Sociology and Realism --$g6.$tConclusion: Beyond Hegemony and Canonicity.
520 $aIn American Drama: The Bastard Art, Susan Harris Smith looks at the many often conflicting cultural and academic reasons for the neglect and dismissal of American drama as a legitimate literary form.
520 8 $aCovering a wide range of topics - theatrical performance, the rise of nationalist feeling, the creation of academic disciplines, and the development of sociology - Smith's study is a contentious and revisionist historical inquiry into the troubled cultural and canonical status of American drama, both as a literary genre and as a mirror of American society.
650 0 $aAmerican drama$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007101029
830 0 $aCambridge studies in American theatre and drama.$0http://id.loc.gov/authorities/names/n93047893
852 00 $bglx$hPS332$i.S64 1997