Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:579386780:2303 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:579386780:2303?format=raw |
LEADER: 02303fam a2200373 a 4500
001 1956462
005 20220609034929.0
008 960422s1997 nyua b 001 0 eng
010 $a 96019573
020 $a0810942976 (clothbound)
035 $a(OCoLC)34669358
035 $a(OCoLC)ocm34669358
035 $9AMF7166CU
035 $a(NNC)1956462
035 $a1956462
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aND237.M58$bK47 1997
082 00 $a759.13$220
100 1 $aKertess, Klaus.$0http://id.loc.gov/authorities/names/n83153120
245 10 $aJoan Mitchell /$cKlaus Kertess.
260 $aNew York :$bHarry N. Abrams,$c1997.
263 $a9701
300 $a204 pages :$bcolor illustrations ;$c30 x 31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
520 $aJoan Mitchell (1926-1992) was one of the most distinguished artists to be associated with the Abstract Expressionist movement. Winning a place for herself in the heavily male-dominated New York art world of the 1950s, she soon achieved recognition as a leading exponent of the gestural style. Yet her work is not as widely appreciated in the United States as it deserves to be, in part because she chose to live in France during the later decades of her life.
520 8 $aThis volume is the first comprehensive presentation of Mitchell's work since her death. In her will, she directed that a longtime friend, Klaus Kertess, write the accompanying text. Kertess provides a richly textured account of Mitchell's life and work, tracing her evolution from her earliest efforts as a young artist in Chicago and her arrival in New York in the 1940s.
520 8 $aHe gives special attention to the array of gifted painters and poets in the legendary New York art scene of the 1950s, when Mitchell first made her mark, and discusses at length Mitchell's friendships with artists such as Willem de Kooning and Franz Kline and writers such as Frank O'Hara.
600 10 $aMitchell, Joan,$d1925-1992$xCriticism and interpretation.
650 0 $aAbstract expressionism$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2007100485
852 00 $bbar$hND237.M58$iK47 1997
852 80 $bfax$hND239 M69$iK47