MARC Record from marc_columbia

LEADER: 01789fam a2200325 a 4500
001 1964069
005 20220609040136.0
008 941018t19951995nyu 000 1 eng
010 $a 94042282
020 $a1568580282
035 $a(OCoLC)31412004
035 $a(OCoLC)ocm31412004
035 $9AMG7141CU
035 $a(NNC)1964069
035 $a1964069
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPS3554.I3915$bS74 1995
082 00 $a813/.54$220
100 1 $aDi Filippo, Paul,$d1954-$0http://id.loc.gov/authorities/names/n94100093
245 14 $aThe steampunk trilogy /$cby Paul Di Filippo.
260 $aNew York :$bFour Walls Eight Windows,$c[1995], ©1995.
300 $a352 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 0 $aVictoria -- Hottentots -- Walt and Emily.
520 $aInside the wide realm of science fiction or out, there is nothing like the three short novels in The Steampunk Trilogy. Set in a very alternative 19th Century, they feature a mix of historical and imaginary figures. In Victoria, a young and lissome Queen Victoria disappears from her throne and is replaced by a sexy human/newt clone. The race is on to find the original Victoria and hide the terrible secret from the nation. In Hottentots, Massachusetts is threatened by H.P.
520 8 $aLovecraft-style monsters from the deep and, of course, Hottentots; in Walt and Emily, Emily Dickinson hooks up with a robust and lusty Walt Whitman, loses her virginity, and travels to a dimension beyond time where she and her companions meet the future Allen Ginsberg.
650 0 $aNineteenth century$vFiction.
650 0 $aScience fiction, American.$0http://id.loc.gov/authorities/subjects/sh85118637
852 00 $bglx$hPS3554.I3915$iS74 1995