| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:622099415:3433 |
| Source | marc_columbia |
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LEADER: 03433fam a2200361 a 4500
001 1984754
005 20220609043200.0
008 960716t19971997cau b 001 0 eng
010 $a 96009916
020 $a0520206142 (alk. paper)
020 $a0520206150 (pbk. : alk. paper)
035 $a(OCoLC)35285312
035 $a(OCoLC)ocm35285312
035 $9AMK4276CU
035 $a(NNC)1984754
035 $a1984754
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aPN1995.9.P6$bR67 1997
082 00 $a791.43/658$220
100 1 $aRosenbaum, Jonathan.$0http://id.loc.gov/authorities/names/no2020035622
245 10 $aMovies as politics /$cJonathan Rosenbaum.
260 $aBerkeley, CA :$bUniversity of California Press,$c[1997], ©1997.
300 $axi, 359 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tHow to Live in Air Conditioning --$g1.$tThe Politics of Form.$tLanguage, Representation, Narrative.$tSay the Right Thing (Do the Right Thing).$tInterruption as Style: Bunuel's The Discreet Charm of the Bourgeoisie.$tPolanski and the American Experiment (Bitter Moon).$tUtopian Space and Urban Encounters.$tTati's Democracy.$tHis Mistress's Voice: Akerman's Night and Day.$tSeen and Unseen Encounters: Kieslowski's Red.$tChance and Control.$tAltman and the Spirit of Improvisation (California Split).$tLies of the Mind (Talking to Strangers).$tClassification and Genre: Musical Ghettos.$tOn Latcho Drom.$tFour Books on the Hollywood Musical --$g2.$tEntertainment as Oppression: The Hollywood Apparatus.$tEntertainment as Oppression.$tMissing the Target.$tSpielberg's Gentiles (Schindler's List).$tThe Solitary Pleasures of Star Wars.$tJack Reed's Christmas Puppy: Reflections on Reds.$tA Perversion of the Past (Mississippi Burning).$tCircle of Pain: The Cinema of Nicholas Ray.
505 80 $tVietnam, the Theme Park (Hearts of Darkness: A Filmmaker's Apocalypse).$tSexual Discourse (The Piano).$tHollywood Radical (Malcolm X).$tAce Ventura Reconsidered.$tThe World According to Harvey and Bob (Smoke, the Glass Shield).$tStupidity as Redemption (Forrest Gump).$tAllusion Profusion (Ed Wood, Pulp Fiction) --$g3.$tIssues of Ideology.$tAlternatives.$tThe Problem with Poetry: Leos Carax.$tNo Stars, a Must-See (The Plot Against Harry).$tThe Rattle of Armor, the Softness of Flesh: Bresson's Lancelot Du Lac.$tThe Functions of a Disease (Safe).$tEngland on the Inside: The Films of Mike Leigh.$tPolitical Subjects.$tThe Significance of Sniggering: Zwigoff's Crumb.$tJean Eustache's La Maman Et La Putain.$tFilm Writing Degree Zero: The Marketplace and the University.$tTribal Trouble (Atom Egoyan's Calendar).$tUs and Them (Blood in the Face).$tOther Cinemas.$tFeudal Attraction (Ju Dou).$tThe Vision of the Conquered (Kurosawa's Rhapsody in August).$tSearching for Taiwan (The Puppet Master).
505 80 $tInner Space (Tarkovsky's Solaris).$tTribal Scars (Sembene's Black Girl).$tAlternate Histories.$tThe Seven Arkadins.$tTih-Minh, Out I: On the Nonreception of Two French Serials.$tHis Twentieth Century: Godard's Histoire(s) Du Cinema.$tPages from the Endfield File.$tOn Second Thoughts (Marker's The Last Bolshevik).
650 0 $aMotion pictures$xPolitical aspects.
852 00 $bglx$hPN1995.9.P6$iR67 1997g
852 00 $boff,glx$hPN1995.9.P6$iR67 1997g
852 00 $bcomp$hPN1995.9.P6$iR67 1997g