Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:625520700:2597 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:625520700:2597?format=raw |
LEADER: 02597fam a2200373 a 4500
001 1987102
005 20220609043723.0
008 960718t19971997inu b 001 0 eng
010 $a 96033081
020 $a0253332400 (alk. paper)
035 $a(OCoLC)35128216
035 $a(OCoLC)ocm35128216
035 $9AMK7740CU
035 $a(NNC)1987102
035 $a1987102
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
050 00 $aMT189$b.O94 1997
082 00 $a786.5/09/032$220
100 1 $aOwen, Barbara.$0http://id.loc.gov/authorities/names/n84180484
245 14 $aThe registration of baroque organ music /$cBarbara Owen.
260 $aBloomington, Ind. :$bIndiana University Press,$c[1997], ©1997.
300 $aix, 284 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
520 $aHere, for the first time in a single volume, is a comprehensive study of registrational practices from circa 1550 to 1800. Each of the four parts of the book - the Renaissance and the Early, High, and Late Baroque - starts with a brief description of the political and religious climate of the period and the way it affected organ building and the music composed at the time.
520 8 $aWithin each historical period, Owen provides for each country a list of the active composers and information about representative organs, including their locations, dates, builders, and stoplists. She then discusses the registrational practices in each area in relation to contemporary musical styles and forms, referring to sources such as scores and treatises.
520 8 $aIn light of the historical evidence, Owen advises organists on adapting the earlier principles and practices to modern instruments in order to perform Baroque organ works in a style appropriate to their period and region. With its comprehensive geographic, historical, and musicological approach, The Registration of Baroque Organ Music will long remain an invaluable reference - and source of delight - for all organists.
650 0 $aOrgan (Musical instrument)$xRegistration.$0http://id.loc.gov/authorities/subjects/sh85095460
650 0 $aOrgan music$y17th century$xHistory and criticism.
650 0 $aOrgan music$y18th century$xHistory and criticism.
650 0 $aPerformance practice (Music)$xHistory$y17th century.$0http://id.loc.gov/authorities/subjects/sh89003985
650 0 $aPerformance practice (Music)$xHistory$y18th century.$0http://id.loc.gov/authorities/subjects/sh89003986
852 00 $boff,mus$hMT189$i.O94 1997