MARC Record from marc_columbia

LEADER: 05209fam a2200445 a 4500
001 1550318
005 20220608185156.0
008 940328t19941994nyua 001 0 eng
010 $a 94014902
020 $a0826405789 (pbk.) :$c$17.95
035 $a(OCoLC)30319046
035 $a(OCoLC)ocm30319046
035 $9AKD3149CU
035 $a(NNC)1550318
035 $a1550318
040 $aDLC$cDLC$dNNC
043 $an-us---
050 00 $aPN1995.9.N4$bB6 1994
082 00 $a791.43/6520396073$220
100 1 $aBogle, Donald.$0http://id.loc.gov/authorities/names/n79091481
245 10 $aToms, coons, mulattoes, mammies, and bucks :$ban interpretive history of Blacks in American films /$cDonald Bogle.
250 $aNew 3rd ed.
260 $aNew York :$bContinuum,$c[1994], ©1994.
263 $a9408
300 $axxvi, 391 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
505 0 $a1. Black Beginnings: from Uncle Tom's Cabin to The Birth of a Nation. The Tom. The Coon. The Tragic Mulatto. The Mammy. The Brutal Black Buck and The Birth of a Nation -- 2. Into the 1920s: the Jesters -- 3. The 1930s: the Servants. High-Steppin' Sir Stepin. Waiting on West and Serving Shirley. Mr. Bojangles: the Cool-Eyed Tom. Clarence Muse: The Inhibited, Humanized Tom Standing in a Corner by Himself. Imitation of Life: Mother Knows Best. Iridescent Fredi: Black Girl in Search of a Black Role. Louise Beavers: the Black Guardian Angel. The Green Pastures. Rex Ingram: First of the Freed Black Men. Stepin's Step-Chillun. Rochester: The Gentleman's Gentleman. Hi-Hat Hattie. Gone with the Wind: Black Realities and the End of a Tradition. Paul Robeson: the Black Colossus -- 4. The Interlude: Black-Market Cinema. Oscar Micheaux -- 5. The 1940s: the Entertainers, the New Negroes, and the Problem People. The Entertainers. Hazel Scott: Miss Proper Middle-Class Lady. Lena Horne: Black Beauty in Residence.
505 8 $aCabin in the Sky. Stormy Weather. Bits and Pieces of Black Action. Song of the South. The New Negroes: An Interim. The Problem People. Home of the Brave and the Postwar Good Sensitive Negro. Lost Boundaries' Tragic Mulattoes. Pinky's Tragic Mulatto and Its Strong Black Woman. Intruder in the Dust and the Defiantly Proud Black Man -- 6. The 1950s: Black Stars. Ethel Waters: Earth Mother for an Alienated Age. Dorothy Dandridge: Apotheosis of the Mulatto. Sidney Poitier: Hero for an Integrationist Age. Black Odds and Ends -- 7. The 1960s: Problem People into Militants. Steps Forward. Black Art Films. A Step Backward: Ossie Davis and Gone Are the Days. Along the Road, in Harlem, and on the Subway. Way Down in de New Ole South with Tom-Tom, Miss Bronze Barbie Doll, and Ms. Militant Mammy. A Man Called Adam and the Son of Sunshine Sammy. Super Sidney of the 1960s. Jim Brown: Black Buck Hero for a Separatist Age. The New-Style Black Film -- 8. The 1970s: Bucks and a Black Movie Boom. Preludes.
505 8 $aMelvin Van Peebles: The Black Movie Director as Folk Hero. Shaft: He's a Badd Mother - Shut Your Mouth. Super Fly: Mixed Messages. Buckmania. The Jock as Movie Star. Lady Sings the Blues: Black Stars, Black Romance. Sounder. Sidney Strikes Again. Superbadd, Supermama. Sisters in Distress. Other Films, Other Voices. Richard Pryor: The Crazy Nigger as Conquering Hero. The Wiz -- 9. The 1980s: Black Superstars and the Era of Tan. Holding Up the Fort. Dramatic Possibilities. Buddy Buddy. Richard Pryor, Superstar: The Ups and Downs. Trading Places: Eddie Murphy. A Soldier's Story. Say It with Music. Different Directions. Women: As Exotics and Non-racials. A Controversy about Color. Whipping Whoopi. Independents. Hollywood and the Race Theme. Burning History: The White Man's Burden. The Bird Doesn't Fly. Focusing on Apartheid. Bringing History to Light: Glory. Denzel Washington: On the Road to Stardom. Driving Miss Daisy: The Matter of Perspective. Morgan Freeman: The Long Journey to Get There. Other Films.
505 8 $aSidney Returns. Closing the Era on the Right Note -- 10. The 1990s: New Stars, New Filmmakers, and a New African American Cinema. The Good, the Bad, the Bonded, the Typed. Whoopi's Back and a Ghost's Got Her. An Emerging New African American Cinema. Charles Burnett: A New Career Direction. A Breakthrough Year. New Jack Movies. A Black New Wave. John Singleton's South Central. Rising from the Dust. A Trio by Spike. Other New Directors and Films. Actresses in Search of Roles. The New Actors. Eddie Murphy: All Grown Up, Looking for a Place to Go. Laurence Fishburne: From Child Actor to Leading Man. Wesley Snipes: Action Hero. Denzel Washington: Leading Man, Romantic Hero, Superstar.
650 0 $aAfrican Americans in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85002011
650 0 $aMotion pictures$zUnited States$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008108001
852 00 $bglx$hPN1995.9.N4$iB6 1994
852 00 $bmil$hPN1995.9.N4$iB6 1994
852 00 $bmil$hPN1995.9.N4$iB6 1994
852 00 $bmil$hPN1995.9.N4$iB6 1994
852 00 $bglx$hPN1995.9.N4$iB6 1994
852 00 $bbar$hPN1995.9.N4$iB6 1994