| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:88792101:1954 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:88792101:1954?format=raw |
LEADER: 01954fam a2200385 a 4500
001 1566196
005 20220608191216.0
008 940517s1994 ilua b 001 0 eng
010 $a 94020786
020 $a0226505340
020 $a0226505359 (pbk.)
035 $a(OCoLC)503350846
035 $a(OCoLC)ocn503350846
035 $9AKF2722CU
035 $a(NNC)1566196
035 $a1566196
040 $aDLC$cDLC$dNNC$dOrLoB
041 1 $aeng$hfre
050 00 $aND1140$b.M3413 1994
082 00 $a750/.1$220
100 1 $aMarin, Louis,$d1931-$0http://id.loc.gov/authorities/names/n50040843
240 10 $aDétruire la peinture.$lEnglish$0http://id.loc.gov/authorities/names/n94049578
245 10 $aTo destroy painting /$cLouis Marin ; translated by Mette Hjort.
260 $aChicago :$bUniversity of Chicago Press,$c1994.
263 $a9410
300 $aix, 186 pages, 22 unnumbered pages of plates :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aAllegory: The Golden Bough or the Theory of Mimesis -- Questions, Hypotheses, Discourse -- Readings -- Denegation -- The Arcadian Landscape -- On Nominal Sentences, Fragments, Epitaphs, and Epigraphs -- A Letter, a Shadow, and an Interpretive Key -- Theoretical and Methodological Introduction -- An Analytic Strategy and a Mythical Ruse -- The Portrait in the Convex Mirror -- The Medusa Head as Historical Painting -- Psychoanalytic Interlude -- Of Light, Shadows, and Narrative -- Et in arca hoc.
600 10 $aPoussin, Nicolas,$d1594?-1665$xCriticism and interpretation.
600 10 $aCaravaggio, Michelangelo Merisi da,$d1573-1610$xCriticism and interpretation.
650 0 $aPainting$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh2008108838
650 0 $aSemiotics.$0http://id.loc.gov/authorities/subjects/sh85119950
852 80 $bfax$hND1115$iM3382