| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:1045912:4755 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:1045912:4755?format=raw |
LEADER: 04755fam a2200433 a 4500
001 2000789
005 20220609045719.0
008 961028s1997 mau b s001 0 eng
010 $a 96048656
020 $a1558490949 (alk. paper)
020 $a1558490957 (pbk. : alk. paper)
035 $a(OCoLC)35835822
035 $a(OCoLC)ocm35835822
035 $9AMM4369CU
035 $a(NNC)2000789
035 $a2000789
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aPS374.N4$bB74 1997
082 00 $a813/.009/355$221
100 1 $aBryant, Jerry H.,$d1928-$0http://id.loc.gov/authorities/names/n96104859
245 10 $aVictims and heroes :$bracial violence in the African American novel /$cJerry H. Bryant.
260 $aAmherst :$bUniversity of Massachusetts Press,$c1997.
263 $a9708
300 $aix, 374 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $g1.$tViolence, Victims, and Heroes in the Antebellum Slave Narrative.$tImages of Violence.$tVictims and the Sentimental.$tWhipping, Sentiment, Sex, and Sade-ism: Douglass's Narrative.$tDouglass's Narrative: Autonomy and the Hero --$g2.$tPrototypes in the Antebellum Novel.$tClotel; or, The President Daughter.$tBlake: or, The Huts of America.$tThe Garies and Their Friends --$g3.$tSearching for the Hero, 1865-1900: Black Warrior, Forgiving Christ.$tThe Warrior.$tThe Martyr.$tThe Mythology of White Manhood: Men and Brutes.$tOvercoming the Brute-Inheritance --$g4.$tThe Truth about Lynching, 1892-1922: Harper, Hopkins, Griggs, and Their Contemporaries.$tThe Historical Context.$tThe Imagery of Lynching and the Lynch Mob.$tThe Violent Hero: A Minority Report.$tTrying for Conciliation.$tThe Nonviolent Hero.$tIt Isn't Rape: The War of the Counterstereotypes.$tMaking Their Own World --$g5.$tThe Limits of the Hero: Chestnutt's Marrow of Tradition and Johnson's Autobiography of an Ex-Colored Man.
505 80 $tChestnutt, the Victorian.$tThe Big Three: A Cross-Section of the White South.$tEvery Finer Instinct.$tWilliam Miller: The Tragedy of Reasonableness.$tLynching and the "Ex" in "Ex-Colored Man"$tHow Can There Be a Hero in a Real World? --$g6.$tArt and Lynching: The Harlem Renaissance and the 1930s.$tJean Toomer's Cane: Beauty and the Beast.$tThe Aesthetes: Fauset, Hughes, Thurman, and Schuyler.$tThe Moralists: Du Bois, Jones, and White.$tFolk Resignation: Lee and Turpin --$g7.$tAfter World War II: Lynching, History, and the Source of Identity.$tThe Disappearance of Traditional Lynching: A New Optimism.$tThe Past as Identity: James Baldwin.$tFathers and Sons: Richard Wright's Long Dream.$tFathers and Sons: The Redemptive Community from John O. Killens to Raymond Andrews.$tDoubting the Father-Hero: W. E. B. Du Bois, William Mahoney, and Sarah E. Wright --$g8.$tRichard Wright and Bigger Thomas: Grace in Damnation --$g9.$tThe Rebel Stirs: Temporary Insanity and Creative Riots.$tAfter Bigger Thomas.
505 80 $tThe development of the Northern Ghetto.$tA New City Fiction: Striking Out Blindly.$tThe Street: The North's Lynch Mob.$tThe Primitive: The Night of the Long Knife.$tInvisible Man: Tempering Rage with Irony.$tInvisible Man: Irony over Violence.$tInvisible Man: The Hero as Ironist --$g10.$tThe Rise of the Black Revolutionary: The Making of an Image.$tThe Creation of the Black Power Movement.$tWish-Fulfillment Fantasies in Five Black Power Novels.$tJohn A. Williams and the Realist's Dilemma.$tBlack Power and the Power of Art: Alice Walker's Meridian.$tThe Waning of Black Power's Power: Ernest J. Gaines and Joseph Nazel --$g11.$tThe Fall of the Revolutionary: The Image Dismantled.$tThe Moral and Practical Drawbacks of Retaliatory Violence.$tSatirizing the Violent Hero: Ishmael Reed and Others.$tJohn Edgar Wideman: The Dark Side of the Black Power Hero --$g12.$tIt Ends in Brotherhood: Toni Morrison's Song of Solomon.$tEconomic and Feminist Forces behind the Dissolution of the Black Power Hero.
505 80 $tSong of Solomon.$tHuey and Eldridge.$tMilkam: Learning the Final Lesson.$tReconciliation: The Last Move.
650 0 $aAmerican fiction$xAfrican American authors$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100756
650 0 $aAfrican Americans in literature.$0http://id.loc.gov/authorities/subjects/sh85002009
650 0 $aRace relations in literature.$0http://id.loc.gov/authorities/subjects/sh94008444
650 0 $aViolence in literature.$0http://id.loc.gov/authorities/subjects/sh85143523
650 0 $aRacism in literature.$0http://id.loc.gov/authorities/subjects/sh94008446
852 00 $bglx$hPS374.N4$iB74 1997
852 00 $bbar$hPS374.N4$iB74 1997