| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:109408516:3154 |
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LEADER: 03154fam a2200421 a 4500
001 2085686
005 20220615201149.0
008 961202s1997 deu b s001 0 eng
010 $a 96040157
020 $a087413613X (alk. paper)
035 $a(OCoLC)36045984
035 $a(OCoLC)ocm36045984
035 $9AMX3034CU
035 $a(NNC)2085686
035 $a2085686
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $ae-uk-en
050 00 $aPR2677.F44$bD43 1997
082 00 $a822/.3$221
100 1 $aDeats, Sara Munson.$0http://id.loc.gov/authorities/names/n88074731
245 10 $aSex, gender, and desire in the plays of Christopher Marlowe /$cSara Munson Deats.
260 $aNewark, Del. :$bUniversity of Delaware Press ;$aLondon ;$aCranbury, NJ :$bAssociated University Presses,$c1997.
300 $a296 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 262-284) and index.
505 00 $gCh. 1.$tThe Politics of Sex, Gender, and Sexuality: A Contemporary Perspective --$gCh. 2.$tThe Politics of Sex, Gender, and Sexuality: An Early Modern Perspective --$gCh. 3.$tErrant Eros: Transgressions of Sex, Gender, and Desire in Dido, Queene of Carthage --$gCh. 4.$tThe Mirror of Venus and the Dart of Mars: The Construction of Gender in Tamburlaine, Parts I and II --$gCh. 5.$tMasquerade or Metamorphosis: The Performance of Gender in Edward II --$gCh. 6.$tThe Rejection of the Feminine in Doctor Faustus.
520 $aThis important critique examines sex, gender, and sexuality as these phenomena were interpreted by Marlowe in four of his plays: Dido, Queene of Carthage; Tamburlaine I and II (treated as a single two-part drama); Edward II; and Doctor Faustus.
520 8 $aSome facets of these plays explored in this study include the asymmetry of gender; the representation of gender as natural and universal or as discursively constructed; the reinforcement or subversion of traditional gender traits, gender principles, and gender structures; and the relationship of sex, gender, and sexuality, terms too often conflated in postmodern and early modern parlance.
520 8 $aThrough the application of feminist methodologies, informed by both postmodern theory and early modern history, author Sara Munson Deats discovers some valuable new treasure troves hidden among the infinite riches of Marlowe's little dramatic rooms.
600 10 $aMarlowe, Christopher,$d1564-1593$xCriticism and interpretation.
650 0 $aFeminism and literature$zEngland$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2009124216
650 0 $aSex (Psychology) in literature.$0http://id.loc.gov/authorities/subjects/sh94009364
650 0 $aGender identity in literature.$0http://id.loc.gov/authorities/subjects/sh94004327
650 0 $aDrama$xPsychological aspects.$0http://id.loc.gov/authorities/subjects/sh2008102396
650 0 $aSex role in literature.$0http://id.loc.gov/authorities/subjects/sh85120668
650 0 $aDesire in literature.$0http://id.loc.gov/authorities/subjects/sh95007416
852 00 $bglx$hPR2677.F44$iD43 1997