MARC Record from marc_columbia

LEADER: 02243fam a2200397 a 4500
001 2087131
005 20220615201422.0
008 970619s1997 nmua b 001 0beng
010 $a 97018137
020 $a1878610651
035 $a(OCoLC)37260846
035 $a(OCoLC)ocm37260846
035 $9ANB4951CU
035 $a(NNC)2087131
035 $a2087131
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
043 $an-us-nm
050 00 $aE99.T52$bP663 1997
082 00 $a709/.2$aB$221
100 1 $aCesa, Margaret.$0http://id.loc.gov/authorities/names/n82140777
245 14 $aThe world of Flower Blue :$bPop Chalee: an artistic biography /$cMargaret Cesa.
250 $a1st ed.
260 $aSanta Fe, NM :$bRed Crane Books,$c1997.
263 $a9709
300 $axxii, 254 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 233-250) and index.
520 $aPop Chalee was one of the first Native American woman artists to achieve national fame, recognition and commercial success. The author Margaret Cesa takes us back to the beginnings of this remarkable woman, born in 1906 in the drab mining town of Castlegate, Utah. Pop's mother, Merea Margherete Luenberger, was from Berne, Switzerland. Her father was Joe Lujan of Taos Pueblo.
520 8 $aShe was a graduate of the famous 1937 class of the Dorothy Dunn studio at the Santa Fe Indian School. Her paintings, jewelry, textile designs and murals grace museums, private collections and public institutions across the country. During her artistic life, Pop knew some of the most influential people of her times.
520 8 $aFrom the long collaboration of Pop Chalee and Margaret Cesa, we hear, in the artist's own voice, the story and burdens of being a Native American woman artist in a society that was often hostile to one or another of those terms.
600 00 $aPop Chalee,$d1906-1993.$0http://id.loc.gov/authorities/names/n97065152
650 0 $aTiwa women$vBiography.
650 0 $aIndian women artists$zNew Mexico$zTaos Pueblo$vBiography.
650 0 $aIndian women artists$zNew Mexico$zSanta Fe$vBiography.
852 80 $bfax$hN6502 P96$iC33