| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:112584048:2628 |
| Source | marc_columbia |
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LEADER: 02628fam a2200349 a 4500
001 2087982
005 20220615201552.0
008 960809s1998 pauaf b 000 0 eng
010 $a 96031023
020 $a0271016566 (alk. paper)
035 $a(OCoLC)60185413
035 $a(OCoLC)ocm60185413
035 $9ANB6107CU
035 $a(NNC)2087982
035 $a2087982
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aND497.B73$bB46 1998
082 00 $a959.2$220
100 1 $aBendiner, Kenneth,$d1947-$0http://id.loc.gov/authorities/names/n84182195
245 14 $aThe art of Ford Madox Brown /$cKenneth Bendiner.
260 $aUniversity Park :$bPennsylvania State University Press,$c1998.
263 $a9802
300 $axviii, 204 pages, 131 unnumbered pages of plates :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [187]-193) and index.
505 00 $g1.$tArchaism --$g2.$tHumor --$g3.$tRealism --$g4.$tAestheticism --$g5.$tA Social Conscience --$tChronology of Ford Madox Brown's Life --$tChronology of Ford Madox Brown's Works --$gApp. 1.$t[Ford Madox Brown], "Modern v. Ancient Art," The Builder (4 November 1848) --$gApp. 2.$t[Ford Madox Brown], "The Influence of Antiquity on the Arts of Italy," The Builder (2 December 1848) --$gApp. 3.$t[Ford Madox Brown], The Exhibition of WORK, and other Paintings by Ford Madox Brown (1865) --$gApp. 4.$t[Ford Madox Brown], Particulars Relating to the Manchester Town Hall (c. 1893).
520 $aThis is the first comprehensive history devoted to the art of Ford Madox Brown (1821-93), in which his paintings establish him as a major figure in the most important new art movement of Victorian England, Pre-Raphaelitism. The book presents a new explanation of the development and basic aims of Pre-Raphaelite art as a whole and offers a revealing discussion of the power and importance of the humorous vein and negative spirit that run throughout Brown's work.
520 8 $aIt also ties Brown's realist approach to British decorative taste at mid-century and redefines his place in the Aesthetic Movement, a cultural trend that dominated the latter half of the nineteenth century. In addition, the artist's socialist leanings and nationalistic tendencies, expressed in depictions of workers, children, women, and religious scenes, are set out more fully than in any previous literature on the artist.
600 10 $aBrown, Ford Madox,$d1821-1893$xCriticism and interpretation.
852 80 $bfax$hND497 B81$iB43
852 00 $bbar$hND497.B73$iB46 1998