| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:115777383:3303 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:115777383:3303?format=raw |
LEADER: 03303fam a2200421 a 4500
001 2090051
005 20220615201918.0
008 970612s1997 nyu b 001 0 eng
010 $a 97022440
020 $a0815328230 (alk. paper)
035 $a(OCoLC)37238884
035 $a(OCoLC)ocm37238884
035 $9ANB8793CU
035 $a(NNC)2090051
035 $a2090051
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $an-us-ca$an-us---
050 00 $aPS338.M67$bH65 1997
082 00 $a812/.509357$221
245 00 $aHollywood on stage :$bplaywrights evaluate the culture industry /$cedited by Kimball King.
260 $aNew York :$bGarland Pub.,$c1997.
300 $axix, 233 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aStudies in modern drama
504 $aIncludes bibliographical references and index.
505 00 $tGeneral Editor's Note /$rKimball King --$tIntroduction /$rKimball King --$t"Engaged in the Art of Photodrama": Merton of the Movies /$rWilliam Hutchings --$tWhat Makes Sammy Run?: S. N. Behrman and the Fugitive Kind /$rRobert F. Gross --$tHollywood as Moral Landscape: Clifford Odets' The Big Knife /$rAlbert Wertheim --$tHollywood on the Contemporary Stage: Image, Phallic "Players," and the Culture Industry /$rStephen Watt --$tStaging Hollywood, Selling Out /$rMarcia Blumberg --$tSanctity, Seduction or Settling Scores Against the Swine in Speed-the-Plow? /$rLeslie Kane --$tSo Dis Is Hollywood: Mamet in Hell /$rToby Silverman Zinman --$tThe Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow /$rKatherine H. Burkman --$tAlienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians /$rR. J. LaVelle --$t"It's Symbolic!" - Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society /$rTodd M. Lidh --
505 80 $t"The Devil Answers": Drury Pifer's Strindberg in Hollywood /$rWilliam Kerwin --$tThe Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance /$rChristopher C. Hudgins --$tHollywood as Text in the Plays of Christopher Hampton, with Reference to David Rabe and Others /$rKimball King --$tThe Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White /$rE. Barnsley Brown --$tHollywood as Inspiration for the Stage: The Gay Playwrights' Perspective /$rRobert Gross and Kimball King --$tThe Matter of Bodies: Women, Pornography, and Hollywood in Marlane Meyer's Etta Jenks /$rLeslie Frost.
650 0 $aAmerican drama$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100766
650 0 $aMotion pictures and literature$zUnited States$xHistory$y20th century.
651 0 $aHollywood (Los Angeles, Calif.)$xIn literature.
650 0 $aMotion picture industry in literature.$0http://id.loc.gov/authorities/subjects/sh94006695
650 0 $aPopular culture in literature.$0http://id.loc.gov/authorities/subjects/sh94008393
700 1 $aKing, Kimball.$0http://id.loc.gov/authorities/names/n81119898
830 0 $aStudies in modern drama.
852 00 $bbar$hPS338.M67$iH65 1997
852 00 $bglx$hPS338.M67$iH65 1997
852 00 $boff,glx$hPS338.M67$iH65 1997