MARC Record from marc_columbia

LEADER: 03903mam a2200529 a 4500
001 2126934
005 20220615211335.0
008 980420t19981998txua bc 000 0 eng d
020 $a0893817759 (hardcover)
020 $a0893818097 (paperback)
035 $a(OCoLC)ocm38982938
035 $9ANG6816CU
035 $a(NNC)2126934
035 $a2126934
040 $aRVE$cRVE$dOrLoB-B
100 1 $aWeinberg, Adam D.$0http://id.loc.gov/authorities/names/n83158168
245 10 $aFrom the heart :$bthe power of photography, a collector's choice /$cby Adam D. Weinberg, preface by Mark Haworth-Booth, essay by Marianne Wiggins, biographies of photographers by Peggy Roalf.
246 3 $aPower of photogrpahy
246 3 $aCollector's choice
250 $a1st ed.
260 $aCorpus Christi :$bArt Museum of South Texas ;$a[New York, N.Y.] :$bAperture,$c[1998], ©1998.
300 $a95 pages, 1 unnumbered page :$bchiefly illustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"The Sondra Gilman Collection." -- Jacket flap.
500 $aCatalog of an exhibition held at the Art Museum of South Texas, Corpus Christi, Texas, Mar. 6-Jun. 7, 1998, the Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Sep. 7-Nov. 8, 1998, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, Jan. 1-Mar. 14, 1999, and at 2 other locations.
500 $aIncludes "When I buy pictures" by Marianne Moore.
504 $aIncludes bibliographical references (p. 94) and index.
520 $aNoted for its uncommon vision and aesthetic clarity within a wide reach of the photographic medium, the Sondra Gilman Collection provides an invaluable introduction to the art of photography, to where it has been and where it is going.
520 8 $aWithin this volume are some of the finest examples of photography produced over the last one hundred years, from the great masters to the newcomers making their mark. The Preface by Mark Haworth-Booth, curator of photography at the Victoria & Albert Museum, London, discusses the important collections of the past.
520 8 $aAdam Weinberg, curator of the permanent collection for the Whitney Museum of American Art, New York, comments on the Sondra Gilman Collection in particular, providing themes to help understand the images: instantaneous time versus the eternal, appropriating other works into a picture, taking the common and making it strange, the self divided as one sees oneself in relation to others, and he includes pointers on developing a collector's eye. Marianne Wiggins plays with the idea of the power of photography.
520 8 $aFor each of the photographers featured in the book, there is a thumbnail biography and a significant quote by the photographer about the making of pictures.
600 10 $aGilman, Sondra$xPhotograph collections$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008108790
650 0 $aPhotographs$xCollectors and collecting$vExhibitions.
650 0 $aPhotographers$vExhibitions.
700 1 $aGilman, Sondra.$0http://id.loc.gov/authorities/names/nr98016155
700 1 $aHaworth-Booth, Mark.$0http://id.loc.gov/authorities/names/n81127684
700 1 $aWiggins, Marianne.$0http://id.loc.gov/authorities/names/n79149966
700 1 $aRoalf, Peggy.$0http://id.loc.gov/authorities/names/n91095451
700 1 $aMoore, Marianne,$d1887-1972.$tWhen I buy pictures.
710 2 $aArt Museum of South Texas.$0http://id.loc.gov/authorities/names/n80004211
710 2 $aPatrick and Beatrice Haggerty Museum of Art.$0http://id.loc.gov/authorities/names/n86052229
710 2 $aHood Museum of Art.$0http://id.loc.gov/authorities/names/n82023126
710 2 $aAperture.
740 02 $aWhen I buy pictures.
852 80 $bfax$hNH70$iW43