MARC Record from marc_columbia

LEADER: 01874fam a2200337 a 4500
001 2127146
005 20220615211358.0
008 980129s1998 nyu 001 0 eng
010 $a 98005486
020 $a0306808293 (alk. paper)
035 $a(OCoLC)38311966
035 $a(OCoLC)ocm38311966
035 $9ANG7113CU
035 $a(NNC)2127146
035 $a2127146
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aPN1995$b.F28 1998
082 00 $a791.43/09$221
100 1 $aFarber, Manny.$0http://id.loc.gov/authorities/names/n50009181
245 10 $aNegative space :$bManny Farber on the movies /$cnew preface by Robert Walsh.
250 $aExpanded ed. / 1st Da Capo Press ed.
260 $aNew York, NY :$bDa Capo Press,$c1998.
300 $axiv, 412 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
520 $aManny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre.
520 8 $aHis witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film.
650 0 $aMotion pictures$vReviews.$0http://id.loc.gov/authorities/subjects/sh85088106
852 00 $bglx$hPN1995$i.F28 1998
852 00 $bmil$hPN1995$i.F28 1998