MARC Record from marc_columbia

LEADER: 02140fam a2200349 a 4500
001 2128259
005 20220615211551.0
008 951004s1998 nyu 001 0 eng
010 $a 95045471
020 $a0871401576
035 $a(OCoLC)33668061
035 $a(OCoLC)ocm33668061
035 $9ANG8628CU
035 $a(NNC)2128259
035 $a2128259
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
050 00 $aPS3505.U334$bA6 1998
082 00 $a811/.52$220
100 1 $aCummings, E. E.$q(Edward Estlin),$d1894-1962.$0http://id.loc.gov/authorities/names/n79038464
245 10 $aAnother E. E. Cummings /$cselected and introduced by Richard Kostelanetz ; assistant editor, John Rocco.
260 $aNew York :$bLiveright,$c1998.
263 $a9804
300 $axxv, 310 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
505 00 $tDeviant Traditional Verse --$tErotic Poetry --$tLanguage Experiments --$tVisual Poetry and Sound Poetry --$tTexts Set to Music --$tCondensed Prose --$tElliptical Narratives --$tA Book without a Title --$tFilm Scenario --$tTranslation --$tArts Criticism --$tSelf-Prefaces.$tTo Ezra Pound.$tNonlecture Four: I & You & Is.$tIntroduction to The Enormous Room.$tWhy Do You Paint?$tNo Thanks --$tMemoir.$tTo Whom It May Concern.$tFrom The Enormous Room.$tFrom Eimi.$tTo S. Foster Damon.$tIndex of Poems by Opening Lines and Titles.
520 $aHere is an eye-opening selection of Cummings's most avant-garde poetry and prose. Cummings was a pioneer in sound and concrete poetry. He worked with the traditional form of the sonnet until he made it all his own through linguistic and typographic inventions that have never been properly recognized. His prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental.
700 1 $aKostelanetz, Richard.$0http://id.loc.gov/authorities/names/n79071160
700 1 $aRocco, John$q(John M.)$0http://id.loc.gov/authorities/names/n95114649
852 00 $bglx$hPS3505.U334$iA6 1998
852 00 $bbar$hPS3505.U334$iA6 1998