MARC Record from marc_columbia

LEADER: 03699fam a2200445 a 4500
001 2139676
005 20220615213224.0
008 980112t19981998dcua bc 001 0 eng
010 $a 98010924
020 $a1560985720 (cloth : alk. paper)
035 $a(OCoLC)38239414
035 $a(OCoLC)ocm38239414
035 $9ANJ6722CU
035 $a(NNC)2139676
035 $a2139676
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $an-us---$an-us-ny
050 00 $aND1807$b.F47 1998
082 00 $a751.42/2/097307474723$221
100 1 $aFerber, Linda S.$0http://id.loc.gov/authorities/names/n80094145
245 10 $aMasters of color and light :$bHomer, Sargent, and the American watercolor movement /$cLinda S. Ferber and Barbara Dayer Gallati.
260 $aWashington :$bBrooklyn Museum of Art in Association with Smithsonian Institution Press,$c[1998], ©1998.
300 $axiii, 223 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and indexes.
505 00 $g1.$t"A Taste Awakened": The American Watercolor Movement in Brooklyn /$rLinda S. Ferber --$g2.$tThe Exhibition Watercolor in America /$rBarbara Dayer Gallati --$g3.$tThe Power of Patronage: William Trost Richards and the American Watercolor Movement /$rLinda S. Ferber --$g4.$tWatercolors by Winslow Homer at the Brooklyn Museum of art /$rLinda S. Ferber --$g5.$tControlling the Medium: The Marketing of John Singer Sargent's Watercolors /$rBarbara Dayer Gallati --$g6.$tLanguage, Watercolor, and the American way /$rBarbara Dayer Gallati --$g7.$tThe American Watercolor Canon for the Twentieth Century (Observations on a Work in Progress) /$rBarbara Dayer Gallati --$tChronology of the American Watercolor Movement /$rThomas B. Parker --$tIndex of Artists in the Exhibition.
520 $aIn the 1870s and 1880s, artists' societies promoted watercolors as attractive, decorative, inexpensive alternatives to oils, successfully elevating them to the mainstream of American art. Based in New York City, this American watercolor movement paved the way for larger, more seriously received exhibition watercolors, and for a broad turn-of-the-century effort by public institutions - among them the Brooklyn Museum of Art - to acquire American works in the medium.
520 8 $aHighlighting 150 paintings that span nearly two centuries, this richly illustrated volume documents the origin and development of one of the nation's finest collections by investigating for the first time aspects of American watercolor's patronage and critical reception.
520 8 $aLess often displayed than oils because of their sensitivity to light, watercolors nevertheless have enjoyed a lively, complex history. Illuminating well-known works as well as many that have never before been reproduced, Masters of Color and Light showcases an array of paintings that range far beyond watercolor's early reputation as the "lighter and daintier" medium.
650 0 $aWatercolor painting, American$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2010118408
650 0 $aWatercolor painting, American$y19th century$vExhibitions.
600 10 $aHomer, Winslow,$d1836-1910$vExhibitions.
600 10 $aSargent, John Singer,$d1856-1925$vExhibitions.
650 0 $aWatercolor painting$zNew York (State)$zNew York$vExhibitions.
610 20 $aBrooklyn Museum of Art$vExhibitions.
700 1 $aGallati, Barbara Dayer.$0http://id.loc.gov/authorities/names/nr92002636
710 2 $aBrooklyn Museum of Art.$0http://id.loc.gov/authorities/names/nr97004168
852 00 $bbar$hND1807$i.F47 1998
852 80 $bfax$hND239 H75$iF37