| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:201480866:1900 |
| Source | marc_columbia |
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LEADER: 01900fam a2200373 a 4500
001 2148805
005 20220615214705.0
008 940329t19961996njua bq 001 0 eng
010 $a 94015371
020 $a0810827093 (alk. paper)
020 $a0810829045 (alk. paper)
035 $a(OCoLC)30319903
035 $a(OCoLC)ocm30319903
035 $9ANL0824CU
035 $a(NNC)2148805
035 $a2148805
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPN1998.3.S7$bD89 1996
082 00 $a791.43/0233/092$220
100 1 $aDwyer, Ruth.$0http://id.loc.gov/authorities/names/n90644918
245 10 $aMalcolm St. Clair :$bhis films, 1915-1948 /$cRuth Anne Dwyer.
260 $aLanham, Md. :$bScarecrow Press,$c[1996], ©1996.
300 $axxvii, 249 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aFilmmakers series ;$vno. 38
500 $aBased on the author's thesis (Ph. D.)--University of Toronto, 1991.
504 $aFilmography: p. 177-241.
504 $aIncludes bibliographical references (p. 171-175) and index.
520 $aMalcolm St. Clair was a master director of sophisticated silent comedy, creating enchanting and visually dazzling films.
520 8 $aThis book traces his career, from his start as a Mack Sennett Keystone Kop, through the action adventures of the early 1920s, his work with Buster Keaton, the grand and elegant comedies for Paramount in the 1920s (Are Parents People?, The Grand Duchess and the Waiter, Gentlemen Prefer Blondes, and The Canary Murder Case), his transition to sound films, and the comedies for 20th Century-Fox. Includes a sixteen-page photo insert.
600 10 $aSt. Clair, Malcolm,$d1897-1952$xCriticism and interpretation.
830 0 $aFilmmakers series ;$vno. 38.$0http://id.loc.gov/authorities/names/n42011513
852 00 $boff,glx$hPN1998.3.S7$iD89 1996