Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:207936489:3227 |
Source | marc_columbia |
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LEADER: 03227fam a2200409 a 4500
001 2153401
005 20220615215354.0
008 971114s1998 nyu b 001 0 eng
010 $a 97049258
020 $a0312213441 (cloth)
020 $a031221345X (pbk.)
035 $a(OCoLC)38013996
035 $a(OCoLC)ocm38013996
035 $9ANL7025CU
035 $a(NNC)2153401
035 $a2153401
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
043 $an-us---
050 00 $aGF91.U6$bJ37 1998
082 00 $a304.2/3$221
100 1 $aJarvis, Brian.$0http://id.loc.gov/authorities/names/n97107485
245 10 $aPostmodern cartographies :$bthe geographical imagination in contemporary American culture /$cBrian Jarvis.
260 $aNew York :$bSt. Martin's Press,$c1998.
300 $a208 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 195-201) and index.
504 $aFilmography: p. 202.
505 00 $g1.$tIntroduction: A Brief History of Space --$gPt. 1.$tPostindustrial Landscapes: Space and the Social Sciences.$g2.$tAll's Well in the Warfare State: Daniel Bell.$g3.$tHow I Learned to Stop Worrying and Love the Mediascape: Marshall McLuhan.$g4.$tEverything Solid Melts into Signs: Jean Baudrillard.$g5.$tMapping on the Left: Jameson, Harvey, Soja, Davis --$gPt. 2.$tPlotting Postmodern Landscapes: Space and Fiction.$g6.$tNotes from Underground: Thomas Pynchon.$g7.$tReflections on the 'City of Glass': Paul Auster.$g8.$tMachinescapes/Dreamscapes: Jayne Anne Phillips.$g9.$tBurning Down the House: Toni Morrison --$gPt. 3.$tLandscapes on the Screen: Spaces and Film.$g10.$tMapping the City of the Future: Blade Runner.$g11.$tMapping the Body (I): Alien, Gynophobia and the Corporeal Cartography of Consumerism.$g12.$tMapping the Body (II): The Terminator, T2 and Testosterone Topography.$g13.$tCherry-Pie Heaven: David Lynch.$g14.$tConclusion: From Geographies of Abjection to the Mundus.
520 $aPostmodern Cartographies explores spatial representation in a range of texts from the social sciences, prose fiction and cinema. It surveys the geography of post-industrial society as advanced in the work of Daniel Bell, Marshall McLuhan and Jean Baudrillard; analyses representations of space in novels by Thomas Pynchon, Paul Auster, Jayne Anne Phillips and Toni Morrison; and, in a key third section, examines sexual politics and body images in science fiction cinema and the films of David Lynch.
520 8 $aJarvis demonstrates an essential continuity between the geographical imagination expressed in so-called postmodern culture and that evident in previous phases in the history of spatial representation.
650 0 $aLandscape assessment$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2009128775
650 0 $aGeographical perception$zUnited States.
650 0 $aAmerican fiction$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100687
650 0 $aGeographical perception in literature.$0http://id.loc.gov/authorities/subjects/sh94002141
650 0 $aMotion pictures$zUnited States$xHistory and criticism.
852 00 $bleh$hGF91.U6$iJ37 1998