| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:215031166:3259 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:215031166:3259?format=raw |
LEADER: 03259mam a2200361 a 4500
001 2158532
005 20220615220029.0
008 971125s1998 ncuag bk 001 0deng
010 $a 97049637
020 $a0822321564 (cloth : alk. paper)
020 $a0822321688 (paper : alk. paper)
035 $a(OCoLC)ocm38043048
035 $9ANM4732CU
035 $a2158532
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $an-us---
050 00 $aML3524$b.R43 1998
082 00 $a781.642$221
245 00 $aReading country music :$bsteel guitars, opry stars, and honky-tonk bars /$cCecelia Tichi, editor.
260 $aDurham :$bDuke University Press,$c1998.
300 $a408 pages :$billustrations, music ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes essays previously published in v. 94, no. 1 (1995) of the South Atlantic quarterly.
504 $aDiscography: p. [389]-394.
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rCecelia Tichi --$tSing Me a Song about Ramblin' Man: Visions and Revisions of Hank Williams in Country Music /$rChristopher Metress --$tBlue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music /$rDavid Sanjek --$tBloody Daggers and Lonesome Graveyards: The Gothic and Country Music /$rTeresa Goddu --$tA Musical Legacy, A Way of Life: A Photo Essay /$rCharmaine Lanham --$tCommercial (and/or?) Folk: The Bluegrass Industry and Bluegrass Traditions /$rMark Fenster --$tMountains of Contradictions: Gender, Class, and Region in the Star Image of Dolly Parton /$rPamela Wilson --$tKeeping Faith: Evangelical Performance in Country Music /$rCurtis W. Ellison --$tGirls with Guitars - and Fringe and Sequins and Rhinestones, Silk, Lace, and Leather /$rMary A. Bufwack --$tEvent Songs /$rCharles K. Wolfe --$tCountry Green: The Money in Country Music /$rDon Cusic --
505 80 $tCountry Music and the Contemporary Composer: The Case of Paul Martin Zonn /$rMichael Kurek and Cecelia Tichi --$t"My name is Sue! How do you do?": Johnny Cash as Lesbian Icon /$rTeresa Ortega --$tThe Dialectic of Hard-Core and Soft-Shell Country Music /$rRichard A. Peterson --$t"The Sad Twang of Mountain Voices": Thomas Hart Benton's Sources of Country Music /$rVivien Green Fryd --$tMecca for the Country Music Scholar /$rRonnie Pugh --$tCountry Music, Seriously: An Interview with Bill C. Malone /$rCecelia Tichi --$tReading the Row /$rChristine Kreyling --$tThe Metric Makings of a Country Hit /$rJocelyn Neal --$t"The Voice of Woe": Willie Nelson and Evangelical Spirituality /$rT. Walter Herbert --$t"I'll Reap My Harvest in Heaven": Fred Rose's Acquaintance with Country Music /$rJohn W. Rumble --$tJim Crow and the Pale Maiden: Gender, Color, and Class in Stephen Foster's "Hard Times" /$rAmy Schrager Lang.
650 0 $aCountry music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008101819
650 0 $aCountry musicians.$0http://id.loc.gov/authorities/subjects/sh85033472
700 1 $aTichi, Cecelia,$d1942-$0http://id.loc.gov/authorities/names/n78044286
730 0 $aSouth Atlantic quarterly.$0http://id.loc.gov/authorities/names/no2002036048
852 00 $bmus$hML3524$i.R43 1998