MARC Record from marc_columbia

LEADER: 05579mam a2200373 a 4500
001 2164465
005 20220615221045.0
008 970822t19981998caua b 100 0 eng
010 $a 97036527
020 $a0892365013
035 $a(OCoLC)ocm37588456
035 $9ANN2587CU
035 $a2164465
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aNK9604.5$b.P35 1998
082 00 $a745.7/2/0288$221
245 00 $aPainted wood :$bhistory and conservation : proceedings of a symposium organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works and the Foundation of the AIC, held at the Colonial Williamsburg Foundation, Williamsburg, Virginia, 11-14 November 1994 /$cedited by Valerie Dorge and F. Carey Howlett.
246 14 $aProceedings, painted wood : history and conservation
260 $aLos Angeles :$bGetty Conservation Institute,$c[1998], ©1998.
300 $axii, 539 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 00 $tForeword /$rMiguel Angel Corzo --$tPreface /$rValerie Dorge and F. Carey Howlett --$tWood as a Physical Surface for Paint Application /$rR. Bruce Hoadley --$tPaints Based on Drying-Oil Media /$rDavid Erhardt --$tTempera and Other Nondrying-Oil Media /$rRichard Newman --$tMicroscopic Examination and Analysis of the Structure and Composition of Paint and Varnish Layers /$rJames S. Martin --$tSupport and Polychromy of Altarpieces from Brussels, Mechlin, and Antwerp /$rMyriam Serck-Dewaide --$tPainted Italian Picture Frames in the Samuel H. Kress Foundation Collection at the National Gallery of Art /$rNancie C. Ravenel --$tThe Imitation of Natural Materials in Architectural Interiors /$rIan C. Bristow --$tRoyal Painted Furniture in King Charles I's England /$rJames Yorke --$tPerished Perches: The Evidence for English Painted Wooden Furniture in Eighteenth-Century Gardens /$rElizabeth White --$tShaker Painted Furniture /$rSusan L. Buck --
505 80 $tForm and Polychromy: Two Different Concepts in One Object /$rHans Portsteffen --$tReconstruction and Analysis of Bismuth Painting /$rRenate Gold --$tJapanning in Seventeenth- and Eighteenth-Century Europe /$rMargaret J. Ballardie --$tPainted Harpsichords /$rLaurence Libin --$tFloral Painting on Early Eighteenth-Century American Furniture at The Metropolitan Museum of Art /$rFrances Gruber Safford --$tChinese Motifs in the Baroque Art of Minas Gerais, Brazil /$rLuiz A. C. Souza and Cristina Avila --$tA Short Primer on the White-Painted Furnishings of Eighteenth-Century Philadelphia /$rChris A. Shelton --$tThe Use of Dyes and Colored Varnishes in Wood Polychromy /$rJonathan Thornton --$tVerte Antique Decoration on American Furniture /$rRobert D. Mussey, Jr. --$tAn Investigation of the Nature of Paint on Wood Objects in the Indigenous Southwest of North America /$rNancy N. Odegaard --
505 80 $tThe Painted Furniture and Wooden Decorative Arts of Lucia and Arthur Mathews /$rMark A. Harpainter and Christopher C. Augerson --$tMonochromy, Polychromy, and Authenticity /$rMichele D. Marincola and Jack Soultanian --$tConservation of the Fourteenth-Century Ceiling at Saint Helen's Church, Abingdon /$rAnna C. Hulbert --$tThe Interior Decor of the Ursuline Chapel in Quebec City /$rClude Payer, Marie-Claude Corbeil and Colombe Harvey [et al.] --$tThe Painted Tester Bedstead at Agecroft Hall /$rElizabeth Howard Schmidt --$tFour Japanned Cabinets: A Variety of Techniques /$rMarianne Webb --$tThe Hunnewell Cottage /$rAndrea M. Gilmore --$tTechnology and Conservation of Decorative Surface Systems of Horse-Drawn Vehicles /$rMarc A. Williams, Merri M. Ferrell and Jennifer Baker --$tThe Importance of Conservation to Research: A Case Study /$rMerri M. Ferrell --$tThe Treatment of Painted Wooden Folk Art /$rStephen L. Ray and Julie A. Reilly --
505 80 $tJeffrey: Horse of a Different Color /$rRick H. Parker and Peter L. Sixbey --$tPainted Memory, Painted Totems /$rAndrew Todd --$tThe Philosophy of Aesthetic Reintegration: Paintings and Painted Furniture /$rWendy Hartman Samet --$tConservation of Folk Art: Shelburne Museum's Collection and Approach /$rValerie Reich Hunt --$tCollaborations Past and Present: A Classical Success Story /$rLynne Dakin Hastings and Deborah Bigelow --$tApplied Aesthetics: Restoring the Original Cornice Decoration at Olana /$rDeborah S. Gordon --$tStructural Response of Painted Wood Surfaces to Changes in Ambient Relative Humidity /$rMarion F. Mecklenberg, Charles S. Tumosa and David Erhardt --$tFactors Affecting the Re-Treatment of Previously Consolidated Matte Painted Wooden Objects /$rEric F. Hansen and Mitchell Hearns Bishop --$tThe Ultrasonic Mister: Applications in the Consolidation of Powdery Paint on Wooden Artifacts /$rStefan Michalski, Carole Dignard and Lori van Handel [et al.] --
505 80 $tPoly(2-Ethyl-2-Oxazoline): A New Conservation Consolidant /$rRichard C. Wolbers, Mary McGinn and Deborah Duerbeck.
650 0 $aPainted woodwork$xConservation and restoration$vCongresses.
650 0 $aPainted furniture$xConservation and restoration$vCongresses.
700 1 $aDorge, Valerie,$d1946-$0http://id.loc.gov/authorities/names/n97085116
700 1 $aHowlett, F. Carey,$d1950-$0http://id.loc.gov/authorities/names/n97085123
710 2 $aAmerican Institute for Conservation of Historic and Artistic Works.$bWooden Artifacts Group.$0http://id.loc.gov/authorities/names/n91083816
852 80 $bfax$hN8560$iP16