| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:249013137:3396 |
| Source | marc_columbia |
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LEADER: 03396mam a2200373 a 4500
001 2190820
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008 980911s2000 nyu b 001 0 eng
010 $a 98044434
020 $a081532832X (alk. paper)
035 $a(OCoLC)ocm39890501
035 $9ANR6893CU
035 $a2190820
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $an-us---
050 00 $aML410.S6872$bR4 2000
082 00 $a782.1/4/092$221
245 00 $aReading Stephen Sondheim :$ba collection of critical essays /$cedited and with an introduction by Sandor Goodhart.
260 $aNew York :$bGarland Pub.,$c2000.
300 $axxii, 280 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aGarland reference library of the humanities ;$vv. 2065.$aStudies in modern drama ;$vv. 10
504 $aIncludes bibliographical references (p. 259-267) and index.
505 00 $tIntroduction: Reading Sondheim: The End of Ever After /$rSandor Goodhart --$gPt. 1.$tSources, Institutions, Themes.$gCh. 1.$tThe Sung and the Said: Literary Value in the Musical Dramas of Stephen Sondheim /$rThomas P. Adler.$gCh. 2.$tMaternity, Madness, and Art in the Theater of Stephen Sondheim /$rAllen W. Menton.$gCh. 3.$t"Every Day a Little Death": Sondheim's Un-musicaling of Marriage /$rKay Young.$gCh. 4.$tThe Funeral of Follies: Stephen Sondheim and the Razing of American Musical Theater /$rAnn Marie McEntee.$gCh. 5.$tDifference and Sameness: Tarchetti's Fosca, Scola's Passione d'Amore, and Sondheim's Passion /$rShoshana Milgram Knapp.$gCh. 6.$t"It Takes Two": A Duet on Duets in Follies and Sweeney Todd /$rPaul M. Puccio and Scott F. Stoddart --$gPt. 2.$tPlays.$gCh. 7.$tEnchantment on the Manicured Lawns: The Shakespearean "Green World" in A Little Night Music /$rPaul M. Puccio.$gCh. 8.$tArresting Development: Law, Love, and the Name-of-the-Father in Sweeney Todd /$rJoseph Marchesani.
505 80 $gCh. 9.$tVisions and Re-visions: The Postmodern Challenge of Merrily We Roll Along /$rS. F. Stoddart.$gCh. 10.$tA Cathedral to Art /$rFrank Olley.$gCh. 11.$t"Happily ... Ever ..." NEVER: The Antithetical Romance of Into the Woods /$rS. F. Stoddart.$gCh. 12.$t"The Mother's Part": Love, Letters, and Reading in Sondheim's Passion /$rSandor Goodhart.
520 1 $a"Sondheim expert Sandor Goodhart and an invited group of world-renowned scholars and critics discuss and analyze Sondheim's major productions and themes using various critical methodologies - deconstruction, Marxism, formalism, psychoanalysis, historicism, and other postmodernist perspectives.
520 8 $aIn short, this volume offers all the substance one needs to appreciate and understand Stephen Sondheim's work and sets the standard of excellence against which future Sondheim scholarship will be measured."--BOOK JACKET.
600 10 $aSondheim, Stephen$xCriticism and interpretation.
650 0 $aMusicals$zUnited States$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108039
700 1 $aGoodhart, Sandor.$0http://id.loc.gov/authorities/names/n95070255
830 0 $aGarland reference library of the humanities ;$vv. 2065.$0http://id.loc.gov/authorities/names/n42011953
830 0 $aGarland reference library of the humanities.$pStudies in modern drama ;$vv. 10.$0http://id.loc.gov/authorities/names/n92064413
852 00 $bglx$hML410.S6872$iR4 2000