Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:294286763:2722 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:294286763:2722?format=raw |
LEADER: 02722fam a2200433 a 4500
001 2231198
005 20220615235035.0
008 980720s1998 nyu b 001 0 eng
010 $a 98036699
020 $a0679417524 (alk. paper)
035 $a(OCoLC)39655612
035 $a(OCoLC)ocm39655612
035 $9ANW0865CU
035 $a(NNC)2231198
035 $a2231198
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $an-us---
050 00 $aPN1995.9.S6$bG23 1998
082 00 $a302.23/43/0973$221
100 1 $aGabler, Neal.$0http://id.loc.gov/authorities/names/n87914759
245 10 $aLife the movie :$bhow entertainment conquered reality /$cNeal Gabler.
250 $a1st ed.
260 $aNew York :$bKnopf,$c1998.
300 $a303 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 279-287) and index.
505 00 $g1.$tThe Republic of Entertainment --$g2.$tThe Two-Dimensional Society --$g3.$tThe Secondary Effect --$g4.$tThe Human Entertainment --$g5.$tThe Mediated Self.
520 $aNeal Gabler shows us today's astonishing conversion of life itself into Entertainment - Life the Movie.
520 8 $aRevealing what now unites phenomena as diverse as modern art, President Clinton versus Kenneth Starr, the O. J.
520 8 $aSimpson trial, the Unabomber murders, and Elizabeth Taylor's marriages, Gabler demonstrates how our hunger for entertainment and the massive exploitation of that hunger have combined to make everything from religion to politics to painting to the news into branches of show business; how Life the Movie has generated and popularized its own stars - the rich and famous; and how all of us are not only an audience for the life spectacular, but also performance artists acting out our own dramas within it.
520 8 $aGabler traces the phenomenal rise of Entertainment as it challenges high culture. He also shows how entertainment, most notably with the arrival of the movies, comes to dominate the national consciousness by introducing a new way of seeing, until it seems that every endeavor and idea must become part of the grand, ever-growing, ongoing Big Show or risk invisibility.
650 0 $aMotion pictures$xSocial aspects$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008108003
650 0 $aMotion pictures$zUnited States$xInfluence.
650 0 $aTelevision broadcasting$xSocial aspects$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008112756
650 0 $aTelevision broadcasting$zUnited States$xInfluence.
852 00 $bmil$hPN1995.9.S6$iG23 1998
852 00 $bbar$hPN1995.9.S6$iG23 1998
852 00 $bleh$hPN1995.9.S6$iG23 1998