MARC Record from marc_columbia

LEADER: 05972fam a2200421 a 4500
001 2231934
005 20220615235154.0
008 970507s1999 nyua b 001 0 eng
010 $a 97015809
020 $a0195105982 (alk. paper)
035 $a(OCoLC)36942436
035 $a(OCoLC)ocm36942436
035 $9ANW2653CU
035 $a(NNC)2231934
035 $a2231934
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPN1994$b.M364 1999
082 00 $a791.43$221
245 00 $aFilm theory and criticism :$bintroductory readings /$cedited by Leo Braudy, Marshall Cohen.
250 $a5th ed.
260 $aNew York :$bOxford University Press,$c1999.
300 $axviii, 861 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $gI.$tFilm Language.$t[On Editing] /$rVsevolod Pudovkin.$tBeyond the Shot [The Cinematographic Principle and the Ideogram] /$rSergei Eisenstein.$tThe Dramaturgy of Film Form [The Dialectical Approach to Film Form] /$rSergei Eisenstein.$tThe Evolution of the Language of Cinema /$rAndre Bazin.$tToward a Non-Bourgeois Camera Style /$rBrian Henderson.$tSome Points in the Semiotics of the Cinema /$rChristian Metz.$tProblems of Denotation in the Fiction Film /$rChristian Metz.$tSemiotics and the Cinema: Metz and Wollen /$rGilbert Harman.$tThe Discourse of Pictures: Iconicity and Film Studies /$rStephen Prince.$tThe Tutor-Code of Classical Cinema /$rDaniel Dayan.$tAgainst "The System of the Suture" /$rWilliam Rothman.$t[On Suture] /$rKaja Silverman.$tThe Spectator-in-the-Text: The Rhetoric of Stagecoach /$rNick Browne --$gII.$tFilm and Reality.$tBasic Concepts /$rSiegfried Kracauer.$tThe Cabinet of Dr. Caligari /$rSiegfried Kracauer.$tThe Ontology of the Photographic Image /$rAndre Bazin.
505 80 $tThe Myth of Total Cinema /$rAndre Bazin.$tDe Sica: Metteur-en-scene /$rAndre Bazin.$tThe Complete Film /$rRudolf Arnheim.$tCinematography: The Creative Use of Reality /$rMaya Deren.$tFrom Metaphors on Vision /$rStan Brakhage.$tColonialism, Racism, and Representation: An Introduction /$rRobert Stam and Louise Spence.$tRecent Developments in Feminist Criticism /$rChristine Gledhill --$gIII.$tThe Film Medium: Image and Sound.$tStyle and Medium in the Motion Pictures /$rErwin Panofsky.$tThe Establishment of Physical Existence /$rSiegfried Kracauer.$tThe Close-up /$rBela Balasz.$tThe Face of Man /$rBela Balasz.$tFilm and Reality /$rRudolf Arnheim.$tThe Making of a Film /$rRudolf Arnheim.$tThe Specificity Thesis /$rNoel Carroll.$tProjection /$rGerald Mast.$tPhotograph and Screen /$rStanley Cavell.$tAudience, Actor, and Star /$rStanley Cavell.$tTypes; Cycles as Genres /$rStanley Cavell.$tIdeas of Origin /$rStanley Cavell.$tIdeological Effects of the Basic Cinematographic Apparatus /$rJean-Louis Baudry.
505 80 $tAural Objects /$rChristian Metz.$tStatement on Sound /$rSergei Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov.$tThe Voice in the Cinema: The Articulation of Body and Space /$rMary Ann Doane.$tTechnology and Aesthetics of Film Sound /$rJohn Belton.$tBroadcast TV as Sound and Image /$rJohn Ellis --$gIV.$tFilm Narrative and the Other Arts.$tThe Means of the Photoplay /$rHugo Munsterberg.$tTheater and Cinema /$rAndre Bazin.$tActing: Stage vs. Screen /$rLeo Braudy.$tDickens, Griffith and Ourselves [Dickens, Griffith and Film Today] /$rSergei Eisenstein.$tWhat Novels Can Do That Films Can't (and Vice Versa) /$rSeymour Chatman.$tAdaptation /$rDudley Andrew.$tNarrative Discourse and the Narrator System /$rTom Gunning.$tThe Cinematic Narrator /$rSeymour Chatman.$tThe Concept of Cinematic Excess /$rKristin Thompson.$tGodard and Counter Cinema: Vent d'Est /$rPeter Wollen --$gV.$tThe Film Artist.$tNotes on the Auteur Theory in 1962 /$rAndrew Sarris.$tThe Auteur Theory /$rPeter Wollen.
505 80 $tThe Face of Garbo /$rRoland Barthes.$tStars as a Cinematic Phenomenon /$rJohn Ellis.$tThe Role of the Star in Film History [Joan Crawford] /$rRobert C. Allen.$tFemale Stars of the 1940s /$rMolly Haskell.$tThe Mae West Nobody Knows /$rJoan Mellen.$tValentino and Female Spectatorship /$rMiriam Hansen.$t"The Whole Equation of Pictures" /$rThomas Schatz --$gVI.$tFilm Genres.$tGenre: The Conventions of Connection /$rLeo Braudy.$tA Semantic/Syntactic Approach to Film Genre /$rRick Altman.$tFilm Genre and the Genre Film /$rThomas Schatz.$tMovie Chronicle: The Westerner /$rRobert Warshow.$tIdeology, Genre, Auteur /$rRobin Wood.$tThe Mummy's Pool /$rBruce Kawin.$tThe Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory /$rTania Modleski.$tFilm Bodies: Gender, Genre, and Excess /$rLinda Williams.$tThe Art Cinema as a Mode of Film Practice /$rDavid Bordwell --$gVII.$tFilm: Psychology, Society, and Ideology.$tThe Work of Art in the Age of Mechanical Reproduction /$rWalter Benjamin.
505 80 $tCinema/Ideology/Criticism /$rJean-Luc Comolli and Jean Narboni.$tThe Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema /$rJean-Louis Baudry.$tJean-Louis Baudry and "The Apparatus" /$rNoel Carroll.$tPreface /$rParker Tyler.$tIdentification, Mirror /$rChristian Metz.$tThe Passion for Perceiving /$rChristian Metz.$tDisavowal, Fetishism /$rChristian Metz.$tAn Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator /$rTom Gunning.$tVisual Pleasure and Narrative Cinema /$rLaura Mulvey.$tBlack Spectatorship: Problems of Identification and Resistance /$rManthia Diawara.
650 0 $aMotion pictures.$0http://id.loc.gov/authorities/subjects/sh85088084
700 1 $aBraudy, Leo.$0http://id.loc.gov/authorities/names/n79132514
700 1 $aCohen, Marshall.$0http://id.loc.gov/authorities/names/n50026513
852 00 $bglx$hPN1994$i.M364 1999
852 00 $bcomp$hPN1994$i.M364 1999
852 00 $bglx$hPN1994$i.M364 1999
852 00 $bbar$hPN1994$i.M364 1999
852 00 $bbar$hPN1994$i.M364 1999