| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:303010573:5394 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:303010573:5394?format=raw |
LEADER: 05394fam a2200469 a 4500
001 2237294
005 20220616000115.0
008 960509s1996 inua b 000 0 eng
010 $a 96021230
020 $a0253329493 (alk. paper)
020 $a0253210097 (pbk. : alk. paper)
035 $a(OCoLC)34746049
035 $a(OCoLC)ocm34746049
035 $9ANX0106CU
035 $a(NNC)2237294
035 $a2237294
040 $aDLC$cDLC$dDLC$dOrLoB-B
041 0 $aengfre
050 00 $aML3845$b.M9755 1996
082 00 $a781/.1$220
245 00 $aMusical semiotics in growth /$cedited by Eero Tarasti ; assistant editors, Paul Forsell, Richard Littlefield.
260 $aBloomington :$bIndiana University Press ;$aImatra :$bInternational Semiotics Institute,$c1996.
300 $axvii, 642 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aActa semiotica Fennica,$x1235-497X ;$v4
500 $aEnglish and French.
504 $aIncludes bibliographical references.
505 00 $tForewords /$rEero Tarasti --$tMusic history revisited (by a semiotician) /$rEero Tarasti --$tThe postmodern project in music theory /$rRaymond Monelle --$tJeremy Bentham's theory of fictions: some reflections on its implications for musical semiosis and ontology /$rCynthia M. Grund --$tSome semiotic problems of Krzysztof Penderecki's sonoristic style /$rDanuta Mirka --$tValues and their cognition in the semiotic theory of Charles S. Peirce /$rMaciej Jablonski --$tMusical semiosis and the rasa theory /$rJose Luiz Martinez --$tVers une conception pluraliste de l'analyse musicale /$rAlfonso Padilla --$tSemiotic processes in music: Systemics and modelization in paradigmatic analysis /$rMichele Ignelzi and Paolo Rosato --$tMusic as a subject of semiotic analysis /$rThomas Noll --$tSemiotical terminology in musical analysis /$rMarta Grabocz --$tModelisation ostensive-inferentielle de l'oeuvre musicale moderne: la resistance au langage et au texte /$rRaphael Brunner --
505 80 $tWhat is a musical text? /$rRaymond Monelle --$tQuelles perspectives sociologiques pour une semiotique de la musique? /$rJean-Marie Jacono --$tA model of development of the socio-cultural sphere /$rO. Danilova and Ye. Pokorskaya --$tAnalysis and fantasy from the viewpoint of the interpersonal hypothesis of musical semantics: An attempt at analysis /$rJarmila Doubravova --$tSurvie ou renouveau? Imagination structurelle dans la creation electroacoustique recente /$rMarta Grabocz --$tA semiotic approach to computer assisted composition /$rFrancesco Giomi and Marco Ligabue --$tNarratives of self-consciousness in Proust and Beethoven /$rMichael Spitzer --$tSome Greimasian concepts as applied to the analysis of film music /$rEnnio Simeon --$tSpatial soundings: Aalto and Sibelius /$rSarah Menin --$tThe analysis of a holy song /$rWillem Marie Speelman --$tOpera translation: Charles Peirce translating Richard Wagner /$rDinda L. Gorlee --
505 80 $tLes techniques de la narration aux origines de l'opera: isotopies et strategies narratives dans l'Orfeo de Claudio Monteverdi. Projet d'une approche interdisciplinaire de la naissance de l'opera en Italie /$rFabienne Desquilbe --$tLa lecture du sens dans les oeuvres polysemiotiques /$rPatrick Farfantoli --$tMusical signs in Death in Venice by Benjamin Britten /$rAnneli Remme --$tStructures and symbols in Tormis's music: An introduction to the Estonian Ballads /$rUrve Lippus --$tThe role of text in meaning formation /$rInga Jankauskiene --$tUn essia d'etude anthropologique du temps musical /$rIsabelle Servant --$tLes quatuors de Beethoven. Un cas de l'expression temporelle /$rChristine Esclapez --$tSigns, symbols, and expressive elements in the String Quartets of Dmitri Shostakovitch /$rEster Sheinberg --$tModalities and intonation in music analysis: Some observations on the Fourth Symphony of Alfred Schnittke /$rSvetlana Bauer --
505 80 $tAnalyzing Arabescata, Rautavaara's multiserial symphony. A semiotic interplay between the title and the musical structure /$rAnne Sivuoja-Gunaratnam.
520 $aThe international research project on Musical Signification, since its founding over ten years ago, has sought to win new scholars to musical semiotics. To that end, the Department of Musicology at Helsinki University has already organized five international doctoral and postdoctoral seminars. They have become something of a tradition.
520 8 $aThe anthology consists of papers presented in the three first seminars covering areas from music philosophy and aesthetics to the analysis of vocal and instrumental as well as electro-acoustic music, interrelationships of arts, music history, post-modernism, etc.
650 0 $aMusic$xSemiotics.$0http://id.loc.gov/authorities/subjects/sh90001927
650 0 $aMusic$xPhilosophy and aesthetics.$0http://id.loc.gov/authorities/subjects/sh85088808
650 0 $aMusical analysis.$0http://id.loc.gov/authorities/subjects/sh85088952
700 1 $aTarasti, Eero.$0http://id.loc.gov/authorities/names/n79115181
700 1 $aForsell, Paul.$0http://id.loc.gov/authorities/names/n96046986
700 1 $aLittlefield, Richard.$0http://id.loc.gov/authorities/names/n96046989
830 0 $aActa semiotica Fennica ;$v4.$0http://id.loc.gov/authorities/names/n96047000
852 00 $boff,mus$hML3845$i.M9755 1996