| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:317591141:3414 |
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008 980508s1998 onc b 001 0 eng d
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015 $aC98-931123-6
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020 $a0802072259 (pbk.) :$c$21.95
035 $a(OCoLC)ocm39380764
035 $9ANY4243CU
035 $a2248918
040 $aCaOTU$beng$cNLC$dNNC$dOrLoB-B
050 4 $aPR411$b.D57 1998
055 3 $aPR411$bD57 1998
082 00 $a820.9/003$221
245 00 $aDiscontinuities :$bnew essays on Renaissance literature and criticism /$cedited by Viviana Comensoli and Paul Stevens.
260 $aToronto :$bUniversity of Toronto Press,$c1998.
263 $a9810
300 $axx, 244 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aTheory/culture
500 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rViviana Comensoli and Paul Stevens --$gPt. I.$tRecovering Women's Writing: Historicism vs. Textualism.$g1.$t'Over Her Dead Body': Feminism, Poststructuralism, and the Mother's Legacy /$rSylvia Brown.$g2.$tThe Modernity of the Early Modern: The Example of Anne Clifford /$rKatherine Osler Acheson.$g3.$tDark Ladies: Women, Social History, and English Renaissance Literature /$rLinda Woodbridge --$gPt. II.$tWhat to do with Shakespeare?$g4.$tAgainst a Synecdochic Shakespeare /$rElizabeth Hanson.$g5.$tCultural Capital's Gold Standard: Shakespeare and the Critical Apostrophe in Renaissance Studies /$rKaren Newman --$gPt. III.$tRethinking Subjectivity: The Turn to Lacan.$g6.$tHistoricism and Renaissance Culture /$rTracey Sedinger.$g7.$tDonne's Odious Comparison: Abjection, Text, and Canon /$rNate Johnson.$g8.$tMarginal Man: The Representation of Horror in Renaissance Tragedy /$rSusan Zimmerman --$gPt. IV.$tPolitical Engagement and Professional Discontinuities.
505 80 $g9.$tAcademic Exchange: Text, Politics, and the Construction of English and American Identities in Contemporary Renaissance Criticism /$rBarry Taylor.$g10.$tThe Status of Class in Shakespeare: or, Why Critics Love to Hate Capitalism /$rSharon O'Dair --$tAfterword /$rMarta Straznicky.
520 $aOver the past two decades there has been a perceived paradigm shift in the study of English Renaissance literature. Scholarly attention has moved from the individual to the social as the agent of literary production and the principal site of discussion. Genius is now far less likely to be invoked than discourse, culture, or ideology. The intellectual shift, routinely associated with new historicism, feminism, and cultural materialism, has been neither uncontested nor simple and uniform.
520 8 $aThe essays in the present volume set out to identify, examine, and respond to these discontinuities, and in so doing attest to the extraordinary vitality of contemporary Renaissance studies.
650 0 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008119581
700 1 $aComensoli, Viviana.$0http://id.loc.gov/authorities/names/n89617004
700 1 $aStevens, Paul,$d1946-$0http://id.loc.gov/authorities/names/n85079818
830 0 $aTheory/culture series.$0http://id.loc.gov/authorities/names/n92032139
852 00 $bglx$hPR411$i.D57 1998g
852 00 $bbar$hPR411$i.D57 1998g