| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:376521912:3683 |
| Source | marc_columbia |
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LEADER: 03683mam a2200373 a 4500
001 2292404
005 20220616012755.0
008 980617t19991999nyuabg b 001 0 eng
010 $a 98028961
020 $a0393046087
035 $a(OCoLC)ocm39335162
035 $9APE2587CU
035 $a2292404
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aML172$b.P47 1999
082 00 $a780/.9/031$221
100 1 $aPerkins, Leeman L.$q(Leeman Lloyd),$d1932-$0http://id.loc.gov/authorities/names/no96067923
245 10 $aMusic in the age of the Renaissance /$cLeeman L. Perkins.
250 $a1st ed.
260 $aNew York :$bW.W. Norton,$c[1999], ©1999.
300 $a1147 pages :$billustrations, maps, music ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 1061-1090) and index.
505 00 $gPt. 1.$tThe Historical Perspective.$g1.$tMusic in the Historical Renaissance.$g2.$tThe Christian Church as Patron of Music.$g3.$tMusic at the Secular Courts.$g4.$tMusic in the Urban Context.$g5.$tThe Musical Sources --$gPt. 2.$tThe Fifteenth Century: The Consolidation of Genres and Styles.$g6.$tThe Contenance Angloise: English Music at Home and Abroad.$g7.$tFrench Secular Music of the Fifteenth Century.$g8.$tThe Motet in the Fifteenth Century.$g9.$tLiturgical Polyphony for Office and Mass.$g10.$tLiturgical Polyphony for the Mass.$g11.$tSecular Polyphony on the Italian Peninsula.$g12.$tSacred Polyphony in Italy.$g13.$tPolyphony in Germany: Indigenous Traditions.$g14.$tPolyphony on the Iberian Peninsula --$gPt. 3.$tThe Sixteenth Century: The Established Genres and Stylistic Change.$g15.$tThe Motet as Genre and Compositional Type.$g16.$tLiturgical Polyphony for the Office.$g17.$tLiturgical Polyphony for the Mass.$g18.$tSecular Polyphony in France.$g19.$tThe Madrigal.$g20.$tSongs and Madrigals in England.
505 80 $g21.$tMusic of the Protestant Reformation: Germany, Switzerland, France, Holland, and England.$g22.$tPerformance Practice and Instrumental Music.$g23.$tInstrumental Repertories: The Sources.$g24.$tThe Instrumental Genres.$g25.$tThe Final Synthesis.$gAppendix.$tThe Conceptualization of Music in the Renaissance.
520 $aMusic in the Age of the Renaissance presents a richly detailed portrait of the music and surrounding culture in one of history's most creative eras. Leeman Perkins, a leading Renaissance music scholar, brings to life the musical styles and genres that mark this humanistic period of artistic and scientific revolution.
520 8 $aProfessor Perkins firmly establishes his narrative in political, religious, social, and cultural history, opening a window onto the lavish courts, magnificent churches, and thriving urban centers in which music played such a vital role.
520 8 $aThe discussion of the music, leading us from early-Renaissance England to all the regions of Western Europe, proceeds chiefly by genre. Thus, for the fifteenth century, we take up the French chanson, the motet, polyphonic settings for the Mass and liturgical offices, Italian secular and sacred music, and the contributions of Germany and Spain.
520 8 $aMany of the same topics are elaborated in the study of sixteenth-century music, to which are added the Italian and English madrigal, music of the Protestant Reformation, and instrumental music.
650 0 $aMusic$y15th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108084
650 0 $aMusic$y16th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108085
852 00 $boff,mus$hML172$i.P47 1999
852 00 $bmus$hML172$i.P47 1999