MARC Record from marc_columbia

LEADER: 01900mam a2200337 a 4500
001 2330914
005 20220616022752.0
008 981006s1999 ctua b 001 0 eng
010 $a 98047322
015 $aGB99-Y6915
020 $a0300079532 (cloth : alk. paper)
035 $a(OCoLC)ocm40126820
035 $9APK3690CU
035 $a2330914
040 $aDLC$cDLC$dUKM$dC#P$dOrLoB-B
050 00 $aNE2054.5.R4$bW44 1999
082 00 $a769.92$221
100 1 $aWhite, Christopher,$d1930-$0http://id.loc.gov/authorities/names/n50017884
245 10 $aRembrandt as an etcher :$ba study of the artist at work /$cChristopher White.
250 $a2nd ed.
260 $aNew Haven [Conn.] :$bYale University Press,$c1999.
300 $axi, 284 pages :$billustrations (some color) ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 261-275) and index.
520 1 $a"This book surveys Rembrandt's prints both individually and generally. Though an overall pattern in his work can be discovered, Rembrandt was essentially an artist of variety, and each print, at least in his maturity, represented a unique experience."--BOOK JACKET.
520 8 $a"Rembrandt was one of the first artists to experiment with the media of etching and drypoint, submitting his plates to numerous reworkings, drawing on impressions, varying the inking of his plates and the papers on which he printed. Detailed study reveals that in many cases the changes and variations he introduced provide a unique opportunity, not afforded by the paintings and drawings, of observing the artist at work."--BOOK JACKET.
600 00 $aRembrandt Harmenszoon van Rijn,$d1606-1669$xCriticism and interpretation.
600 04 $aRembrandt,$d1606-1669$xCriticism and interpretation.
852 80 $bfax$hND653 R28$iW5823
852 00 $bbar$hNE2054.5.R4$iW44 1999