MARC Record from marc_columbia

LEADER: 03241fam a2200397 a 4500
001 2339548
005 20220616023948.0
008 981006t19991999ctua b 001 0 eng
010 $a 98047308
020 $a0300079273 (cloth : alk. paper)
035 $a(OCoLC)40135299
035 $a(OCoLC)ocm40135299
035 $9APL5234CU
035 $a(NNC)2339548
035 $a2339548
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $ae-fr---
050 00 $aND1329.I53$bR53 1999
082 00 $a759.4$221
100 1 $aRibeiro, Aileen,$d1944-$0http://id.loc.gov/authorities/names/n84104474
245 10 $aIngres in fashion :$brepresentations of dress and appearance in Ingres's images of women /$cAileen Ribeiro.
260 $aNew Haven :$bYale University Press,$c[1999], ©1999.
300 $a259 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 250-253) and index.
505 00 $gPt. 1.$tFashionable Lines.$g1.$tFashion, the Critic and the Artist.$g2.$tIngres's Feeling for Fashion.$g3.$tWomen and the World of Fashion.$g4.$tA Narrative of Fashion: Ingres's Portrait Drawings --$gPt. 2.$tPainted Ladies.$g5.$tWomen in White.$g6.$tWomen in Black.$g7.$tWomen of the World.$g8.$tStill Lives --$gPt. 3.$tIngres's Orientations.$g9.$tNaked and Profane.$g10.$tEastern Promises.$g11.$tIngres Imagines the Orient.$g12.$t'La Touche d'Ingres'.
520 1 $a"For more than half of the nineteenth century, French artist Jean-Auguste-Dominique Ingres (1780-1867) depicted the rapidly changing appearance of the fashionable woman with meticulous attention to detail and with rare perception and empathy. Working in a period that witnessed the development of a consumer society and the beginnings of couture, Ingres charted in his portraits how clothes were worn and what part they played in definitions of identity and status.
520 8 $aThis book explores for the first time the ways in which clothing, accessories, and fabrics define and display women in Ingres's portraits. With more than 150 illustrations that include the artist's portraits, fashion plates, portraits by contemporaries, and surviving items of costume, the book illuminates Ingres's work and its relation to the social and artistic discourse of his time."--BOOK JACKET.
520 8 $a"Eminent dress historian Aileen Ribeiro analyses in detail Ingres's attitudes, his skill in depicting clothing, and how he portrays the real and idealised woman in his paintings and drawings of the fashionable mainstream - the grandes dames of elite society, the newly opulent bourgeoisie, English visitors to Italy, and family and friends. Ribeiro also devotes a section of the book to the part played by textiles and accessories in Ingres's images of bathers and odalisques."--BOOK JACKET.
600 10 $aIngres, Jean-Auguste-Dominique,$d1780-1867$xCriticism and interpretation.
650 0 $aWomen$zFrance$vPortraits.
650 0 $aFashion in art.$0http://id.loc.gov/authorities/subjects/sh85047383
650 0 $aClothing and dress in art.$0http://id.loc.gov/authorities/subjects/sh85033274
852 80 $bfax$hND553 In4$iR35
852 00 $bbar$hND1329.I53$iR53 1999